Shloka 75
ते परिग्राहिणः सर्वे सविभागतरास्तु ते । चोदना जाप्यशीलाश्च ज्ञेया भूतादिकास्तु ते
te parigrāhiṇaḥ sarve savibhāgatarāstu te | codanā jāpyaśīlāśca jñeyā bhūtādikāstu te
Mereka semua ialah penerima persembahan; bagi mereka ada bahagian yang telah diperuntukkan. Didorong oleh titah dan tekun dalam japa (zikir/ulang sebutan suci), mereka hendaklah difahami sebagai makhluk yang bermula daripada unsur (bhūta) dan seumpamanya.
Unspecified (narrative voice within Sṛṣṭikhaṇḍa, Adhyaya 3)
Concept: Cosmic beings function within a regulated economy of offerings and shares; they are propelled by injunction (codanā) and sustained by japa-like recitation.
Application: Honor sacred order: perform duties with clarity of ‘share’ (responsibility), keep a daily japa practice, and treat offerings (food, time, attention) as consecrated.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A celestial altar floats in the void, where subtle elemental beings stand in orderly ranks, each receiving a measured portion of oblations from a luminous ladle. Around them, mantra-syllables appear as golden script spiraling upward, suggesting ‘japa-śīla’ devotion and the cosmic governance of shares.","primary_figures":["Yajña-Puruṣa Viṣṇu (subtle presiding presence)","Elemental beings (bhūtādika)","Ṛṣi-priest figure (hotṛ-like archetype)","Devas receiving bhāga (symbolic)"],"setting":"A cosmic yajña-maṇḍala with a fire-altar motif, floating between stars; offerings rendered as light rather than matter.","lighting_mood":"temple lamp-lit","color_palette":["saffron orange","smoldering ember red","antique gold","midnight blue","ash gray"],"tanjore_prompt":"Tanjore painting style: a grand yajña scene in the cosmos—central fire-altar with gold leaf flames, a priestly ṛṣi offering ghee; devas and elemental beings in symmetrical tiers receiving allotted shares; ornate gold halos, rich maroon and green textiles, gem-like highlights, and stylized Sanskrit mantra bands as decorative borders.","pahari_prompt":"Pahari miniature style: delicate yajña-maṇḍala with fine smoke curls forming Sanskrit letters; cool indigo background, soft saffron fire; refined figures with gentle expressions; lyrical balance showing each being’s ‘share’ as small bowls of light; minimal but elegant ornamentation.","kerala_mural_prompt":"Kerala mural style: bold outlined altar and figures; rhythmic rows of beings with large eyes; fire rendered in red-yellow gradients; mantra glyphs as patterned bands; natural pigment palette with strong compositional symmetry like a temple wall panel.","pichwai_prompt":"Pichwai cloth painting style: ornate floral border framing a central yajña-lotus; offerings depicted as glowing lotuses placed before rows of celestial beings; deep blue ground with gold motifs; peacocks and cows as auspicious corner elements; Viṣṇu suggested as a radiant emblem above the altar (chakra/shankha)."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft crackle of sacred fire","gentle bell strokes","murmured japa undertone","conch shell punctuation"]}
Sandhi Resolution Notes: सविभागतरास्तु → सविभागतराः तु. जाप्यशीलाश्च → जाप्यशीलाः च. भूतादिकास्तु → भूतादिकाः तु.
FAQs
The term indicates classes of beings beginning with bhūtas—often understood as elemental spirits or subtle beings—used here as a representative category within a broader cosmological listing.
It suggests that these beings are considered recipients with defined, apportioned shares—i.e., offerings (or portions) are conceptually distributed according to an established division.
It highlights disciplined inner practice—japa (muttered recitation)—as a defining trait, implying that spiritual potency and order are maintained through regular, restrained repetition rather than outward display.