Shloka 21
Cosmic Time, Cycles of Creation and Dissolution, and the Varāha Uplift of Earth
भोगिशय्यागतः शेते त्रैलोक्यग्रासबृंहितः । जनस्थैर्योगिभिर्द्देवश्चिंत्यमानो जगद्विभुः
bhogiśayyāgataḥ śete trailokyagrāsabṛṃhitaḥ | janasthairyogibhirddevaściṃtyamāno jagadvibhuḥ
Dia berbaring di atas peraduan ular (Śeṣa), luas seolah-olah telah meliputi tiga dunia. Tuhan, Jagad-vibhu yang meresapi alam semesta, direnungi oleh para yogi yang teguh dalam kalangan manusia.
Uncertain (narrative voice; not explicitly indicated in the provided excerpt)
Concept: The universe rests in the Lord; yogins stabilize the mind by contemplating His all-pervading form even when worlds dissolve.
Application: Adopt a daily dhyāna: visualize Viṣṇu on Śeṣa, breathe steadily, and let anxieties ‘dissolve’ into His vastness; cultivate remembrance in crisis.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: celestial_realm
Visual Art Cues: {"scene_description":"Upon a boundless, glassy cosmic ocean, the Lord reclines on the coiled body of Ananta-Śeṣa, whose thousand hoods form a jeweled canopy. The Lord’s form appears immeasurably vast—suggesting He has ‘swallowed’ the three worlds—while on a distant shoreless horizon, human yogins sit in unwavering meditation, their minds fixed on Him.","primary_figures":["Viṣṇu/Nārāyaṇa (jagad-vibhu)","Ananta-Śeṣa","Steadfast yogins (jana-sthaira-yogibhiḥ)"],"setting":"Ekārṇava cosmic ocean with no land, only subtle wave mandalas and a starless, deep-blue expanse","lighting_mood":"divine radiance","color_palette":["sapphire blue","lotus pink","gold leaf","peacock green","moon white"],"tanjore_prompt":"Tanjore painting style: Viṣṇu reclining on Ananta-Śeṣa over the cosmic ocean, lavish gold leaf for the Lord’s aura and Śeṣa’s hood ornaments, rich vermilion and emerald textiles, gem-studded crowns, embossed wave patterns, small meditating yogins at the lower corners as devotional witnesses.","pahari_prompt":"Pahari miniature style: serene Nārāyaṇa on a softly undulating blue ocean, delicate linework for Śeṣa’s hoods, cool luminous palette with refined facial features, tiny yogins in quiet silhouettes, lyrical minimalism emphasizing infinite space and stillness.","kerala_mural_prompt":"Kerala mural style: bold outlined Viṣṇu with characteristic large eyes, Śeṣa rendered in rhythmic coils, strong red-yellow-green pigments, decorative wave bands, symmetrical canopy of hoods, temple-wall compositional balance conveying cosmic order.","pichwai_prompt":"Pichwai cloth painting style: central reclining Viṣṇu on Śeṣa framed by lotus borders and conch-disc motifs, deep blue ground with intricate floral filigree, repeating wave patterns like textile mandalas, small yogins and sages in narrative vignettes along the border, gold highlights for divine radiance."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","gentle ocean hush","temple bell faint","conch in distance","silence between phrases"]}
Sandhi Resolution Notes: bhogiśayyāgataḥ = bhogi-śayyā + āgataḥ; trailokyagrāsabṛṃhitaḥ = trailokya-grāsa-bṛṃhitaḥ; janasthairyogibhiḥ = jana-sthaiḥ + yogibhiḥ; yogibhirddevaḥ = yogibhiḥ + devaḥ (र् + द् संधि/द्वित्व लेखन); devaściṃtyamānaḥ = devaḥ + cintyamānaḥ (विसर्ग→श्).
FAQs
It portrays Vishnu reclining on the serpent-bed (Ananta/Śeṣa) and being ‘vast’ enough to encompass the three worlds, emphasizing his cosmic, all-pervading nature.
It frames the supreme Lord as the object of yogic contemplation (cintyamānaḥ), showing that disciplined meditation is directed toward the divine reality (Jagadvibhu).
The implied lesson is steadiness (sthairya): the Lord is realized through sustained, focused contemplation—encouraging constancy in practice rather than wavering effort.