Shloka 130
Brahmā’s Puṣkara Sacrifice: Kokāmukha Tīrtha, Varāha’s Aid, and the Arrival of Gāyatrī
यावद्यज्ञसमाप्तिर्मे वर्णे त्वां मा कृथा मनः । भूयोपि तां प्रमोक्ष्यामि समाप्तौ तु क्रतोरिह
yāvadyajñasamāptirme varṇe tvāṃ mā kṛthā manaḥ | bhūyopi tāṃ pramokṣyāmi samāptau tu kratoriha
Sehingga yajñaku selesai, janganlah engkau menaruh hati untuk memperkatakannya. Apabila kratu ini berakhir di sini, aku akan melepaskannya kembali.
Unspecified (context-dependent within Sṛṣṭikhaṇḍa 1.16)
Concept: Restraint and clear boundaries are essential during sacred undertakings; once the rite is complete, restoration and release should follow.
Application: During commitments (spiritual practice, projects), avoid premature debate or distraction; finish properly, then resolve tensions and restore harmony.
Primary Rasa: shanta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A calming turn after tension: the ritual leader raises a hand in a gesture of restraint, indicating silence and focus until the yajña concludes. In the background, the altar fire burns steady and controlled, while a veiled figure stands aside—symbolically ‘held’ by the rite—awaiting promised release at completion.","primary_figures":["ritual authority (contextual: Brahmā or chief officiant)","Śakra (Indra)","a woman to be released (contextual)","ṛtviks"],"setting":"Yajña hall at the threshold of completion: offerings arranged neatly, final oblations prepared, attendants poised for concluding rites.","lighting_mood":"serene lamp-lit","color_palette":["warm amber","clarified-butter gold","cream white","deep teal","rosewood brown"],"tanjore_prompt":"Tanjore painting style: Concluding yajña moment with gold-leaf flames and ornate vessels; the officiant’s calming mudrā; Indra attentive; the waiting figure respectfully aside; rich reds/greens, embossed gold borders, gem-studded ornaments emphasizing sacred closure.","pahari_prompt":"Pahari miniature style: Quiet, resolved expressions; final offerings laid out; soft lamplight and gentle smoke; refined architecture and delicate textiles; subdued palette with warm amber highlights conveying resolution.","kerala_mural_prompt":"Kerala mural style: Iconic concluding-rite tableau; bold outlines; controlled flame motif; the officiant’s restraint gesture prominent; saturated pigments and temple-wall framing borders emphasizing discipline and closure.","pichwai_prompt":"Pichwai cloth painting style: Symmetrical concluding yajña composition with ornate lotus borders; altar centered, attendants in balanced rows; deep blue ground with gold and white detailing; floral motifs suggesting completion and auspiciousness."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft sustained chanting","gentle bell at intervals","steady fire crackle","brief silence between lines"]}
Sandhi Resolution Notes: yāvadyajñasamāptiḥ → yāvat + yajña-samāptiḥ; samāptir me → samāptiḥ + me; bhūyo'pi → bhūyaḥ + api; krator iha → kratoḥ + iha.
FAQs
It stresses postponing speech or disclosure until the yajña is properly concluded, reflecting the importance of orderly completion of ritual acts.
This specific verse is primarily framed in yajña (ritual) discipline rather than explicit bhakti theology, emphasizing completion of the rite and controlled speech.
It highlights restraint and responsibility: do not act or speak prematurely; fulfill obligations first, then take the intended compassionate action (“I will release her again”).