Shloka 35
The Bestowal of Boons upon Aṅga
यज्ञाय यज्ञरूपाय यज्ञेशाय नमोनमः । यज्ञकर्मप्रसंगाय नमः शंखधराय च
yajñāya yajñarūpāya yajñeśāya namonamaḥ | yajñakarmaprasaṃgāya namaḥ śaṃkhadharāya ca
Sembah sujud berulang-ulang kepada-Nya yang merupakan yajña itu sendiri, yang berwujud yajña, dan Tuhan bagi yajña. Sembah sujud kepada-Nya yang tekun dalam amalan yajña, dan juga kepada Yang Memegang Śaṅkha (sangkakala).
Unspecified (a devotional eulogy within the narrative context)
Concept: Vishnu is the essence, form, and lord of yajña; ritual action becomes spiritually potent when recognized as offered to and pervaded by the divine.
Application: Transform daily duties into offerings: begin work with a brief dedication, keep purity of intention, and remember the 'Lord of sacrifice' behind every exchange and effort.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A vast sacrificial arena glows with three sacred fires, while Vishnu appears as the luminous heart of the rite—his form subtly composed of ladles, mantras, and flame-tongues. The conch in his hand releases a spiral of sound that becomes visible as golden syllables, encircling the altar and sanctifying every offering.","primary_figures":["Vishnu (Śaṅkha-dhara, Yajña-rūpa)","Vedic priests (ṛtviks)","devotee-offerer"],"setting":"Open-air yajña-śālā with kusa grass, wooden posts, clarified butter vessels, and a central vedi; distant horizon suggests the whole earth participating in the rite.","lighting_mood":"golden dawn with firelight shimmer","color_palette":["saffron flame orange","ghee gold","sandalwood beige","peacock blue","vermillion red"],"tanjore_prompt":"Tanjore painting style: Vishnu as Yajñeśa standing behind the vedi, thick gold-leaf halo, conch raised, flames rendered with embossed gold highlights; priests in white with red borders, ritual vessels ornamented; rich crimson backdrop, emerald arch, gem-studded jewelry and crown, traditional South Indian iconography emphasizing auspiciousness.","pahari_prompt":"Pahari miniature style: delicate yajña scene with refined faces, thin smoke trails, soft dawn sky; Vishnu’s presence as a translucent blue aura behind the altar, conch emitting stylized sound-scrolls; cool yet luminous palette with fine botanical details around the śālā.","kerala_mural_prompt":"Kerala mural style: Vishnu with bold outlines, large eyes, elaborate crown; the vedi and three fires stylized with rhythmic patterns; strong red-yellow-green palette, sacred geometry borders, conch highlighted in bright white with gold accents.","pichwai_prompt":"Pichwai cloth painting style: central Vishnu with conch, surrounded by lotus borders and symmetrical ritual motifs (kalashas, lamps, floral vines); deep blue ground with gold and white detailing, miniature attendants offering āhuti, ornate Nathdwara-like framing adapted to yajña iconography."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["crackling sacred fire","vedic chant undertone","conch shell blast (soft)","temple bells","tanpura drone"]}
Sandhi Resolution Notes: नमोनमः = नमः + नमः (विसर्ग-लोप/ओ-आदेश); शंखधराय = शङ्खधराय (अनुस्वार/निग्रह).
FAQs
The verse identifies Vishnu as both the essence of sacrifice (yajña) and the sovereign of sacrificial worship (yajñeśa), expressing the idea that ritual action and its sacred power ultimately rest in the Divine.
Śaṅkhadhara means “the bearer of the conch,” a standard iconographic epithet of Vishnu, emphasizing his recognizable divine form alongside the more abstract identification with yajña.
It teaches reverence for sacred duty performed in a spirit of devotion: ritual action (yajñakarma) is sanctified when seen as connected to and upheld by the Divine.