“मेरे नगरकी सड़कोंको पताकाओंसे अलंकृत किया जाय। फूलों तथा नाना प्रकारके उपहारोंसे सब देवताओंकी पूजा होनी चाहिये। कुमार, मुख्य-मुख्य योद्धा, शृंगारसे सुशोभित वारांगनाएँ और सब प्रकारके बाजे-गाजे मेरे पुत्रकी अगवानीमें भेजे जाय ।। घण्टावान् मानव: शीघ्र मत्तमारुह्य वारणम् । शृज्भाटकेषु सर्वेषु आख्यातु विजयं मम
vaiśampāyana uvāca |
me nagarasya rathyāḥ patākābhiḥ alaṅkriyantām | puṣpaiś ca nānāvidhaiś ca upahāraiḥ sarvadevatānāṃ pūjā kriyatām | kumārāḥ pradhānā yoddhāḥ śṛṅgāraśobhitāś ca vāraṅganāḥ sarvavidhāni ca vādyāni mama putrasya pratīcchārthaṃ preṣyantām ||
ghaṇṭāvān mānavaḥ śīghraṃ mattam āruhya vāraṇam | śṛṅgāṭakeṣu sarveṣu ākhyātu vijayaṃ mama ||
Vaiśampāyana berkata: “Hiasilah jalan-jalan di kotaku dengan panji-panji. Hendaklah semua dewa dipuja dengan bunga dan pelbagai persembahan. Hendaklah para putera raja, pahlawan terkemuka, para dayang penghibur yang berhias perhiasan, serta segala jenis muzik dan gendang, dihantar keluar untuk menyambut puteraku. Dan biarlah seorang pengisytihar yang membawa loceng segera menaiki gajah yang sedang mengamuk, lalu mengumumkan kemenanganku di setiap persimpangan.”
वैशम्पायन उवाच
The verse foregrounds how rulers convert military success into civic order and legitimacy: gratitude to the gods through worship, and consolidation of authority through public celebration and proclamation. Ethically, it also invites reflection on the allure of fame and spectacle versus inner restraint.
A royal figure issues instructions for a victory celebration: decorate the city, perform worship with offerings, send out princes, warriors, courtesans, and musicians to receive his son, and have a herald ride an elephant to announce victory at every crossroads.