Shloka 23

शब्दे स्पर्शे रसे रूपे गन्धे च रमते मन:

śabde sparśe rase rūpe gandhe ca ramate manaḥ

Aila berkata: Fikiran bersenang pada bunyi, sentuhan, rasa, rupa, dan bau—gelisah mengejar nikmat melalui lima objek pancaindera. Dalam ajaran ini, bait tersebut menunjukkan bahawa keterikatan pada keseronokan inderawi menarik seseorang jauh daripada keteguhan, penguasaan diri, dan disiplin etika yang diperlukan bagi dharma.

शब्देin sound
शब्दे:
Adhikarana
TypeNoun
Rootशब्द
FormMasculine, Locative, Singular
स्पर्शेin touch
स्पर्शे:
Adhikarana
TypeNoun
Rootस्पर्श
FormMasculine, Locative, Singular
रसेin taste
रसे:
Adhikarana
TypeNoun
Rootरस
FormMasculine, Locative, Singular
रूपेin form (appearance)
रूपे:
Adhikarana
TypeNoun
Rootरूप
FormNeuter, Locative, Singular
गन्धेin smell
गन्धे:
Adhikarana
TypeNoun
Rootगन्ध
FormMasculine, Locative, Singular
and
:
TypeIndeclinable
Root
रमतेdelights (takes pleasure)
रमते:
TypeVerb
Rootरम्
FormPresent, Lat, Third, Singular, Atmanepada
मनःthe mind
मनः:
Karta
TypeNoun
Rootमनस्
FormNeuter, Nominative, Singular

ऐल उवाच

A
Aila (speaker)
M
mind (manas)
F
five sense-objects (sound, touch, taste, form, smell)

Educational Q&A

The verse teaches that the mind naturally runs toward the pleasures of the five sense-objects. Recognizing this tendency is the first step toward restraint (dama), detachment (vairāgya), and steadiness required for living according to dharma.

In Śānti Parva’s instructional setting, Aila speaks as a moral-exemplary voice, describing the mind’s attraction to sensory pleasures to support a broader discourse on self-mastery and the causes of bondage and suffering.