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Shloka 17

Śuka’s Guṇa-Transcendence and Vyāsa’s Consolation (शुकगति-वर्णनम्)

नेत्राभ्यां नेत्रयोरस्य रश्मीन्‌ संयम्य रश्मिभि: । सा सम तं चोदयिष्यन्ती योगबन्धैर्बबन्ध ह

netrābhyāṁ netrayor asya raśmīn saṁyamya raśmibhiḥ | sā sam taṁ codayiṣyantī yogabandhair babandha ha ||

Bhishma berkata: Dengan sinar dari matanya sendiri, dia mengekang sinar dari mata baginda. Kemudian, dengan niat mendorong baginda berkata-kata, dia mengikat baginda dengan belenggu yoga—menundukkan minda dengan kekuatan rohani—hingga baginda berada di bawah penguasaannya, tatkala Raja Janaka bersiap mengemukakan pertanyaannya.

नेत्राभ्याम्with (her) two eyes
नेत्राभ्याम्:
Karana
TypeNoun
Rootनेत्र
FormNeuter, Instrumental, Dual
नेत्रयोःof the two eyes (of him)
नेत्रयोः:
Sambandha
TypeNoun
Rootनेत्र
FormNeuter, Genitive, Dual
अस्यof him
अस्य:
Sambandha
TypePronoun
Rootइदम् (अस्मद्-प्रत्ययान्त सर्वनाम)
FormMasculine, Genitive, Singular
रश्मीन्rays
रश्मीन्:
Karma
TypeNoun
Rootरश्मि
FormMasculine, Accusative, Plural
संयम्यhaving restrained/controlled
संयम्य:
TypeVerb
Rootसम् + यम्
Formक्त्वा (absolutive/gerund), Parasmaipada (usage-neutral for gerund), Non-finite
रश्मिभिःby (her) rays
रश्मिभिः:
Karana
TypeNoun
Rootरश्मि
FormMasculine, Instrumental, Plural
साshe
सा:
Karta
TypePronoun
Rootतद्
FormFeminine, Nominative, Singular
समम्equal/level; evenly
समम्:
Karma
TypeAdjective
Rootसम
FormNeuter, Accusative, Singular
तम्him
तम्:
Karma
TypePronoun
Rootतद्
FormMasculine, Accusative, Singular
चोदयिष्यन्तीintending to impel/urge
चोदयिष्यन्ती:
TypeVerb
Rootचुद्
Formशतृ (present active participle) with future-intent sense (periphrastic usage), Feminine, Nominative, Singular
योगबन्धैःby yogic bonds/restraints
योगबन्धैः:
Karana
TypeNoun
Rootयोगबन्ध
FormMasculine, Instrumental, Plural
बबन्धbound
बबन्ध:
TypeVerb
Rootबन्ध्
Formलिट् (Perfect), Parasmaipada, 3rd, Singular
indeed/for emphasis
:
TypeIndeclinable
Root

भीष्म उवाच

भीष्म (Bhīṣma)
राजा जनक (King Janaka)

Educational Q&A

The verse highlights yogic mastery as disciplined restraint: control of the senses (symbolized by the eyes and their ‘rays’) leads to control of the mind, enabling focused inquiry and purposeful speech rather than impulsive reaction.

As King Janaka is ready to ask a question, a woman (implied by ‘she’) uses yogic power to restrain him—metaphorically and narratively described as binding his mind by controlling the ‘rays’ of his eyes—so that he becomes composed and responsive to being prompted.