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Shloka 15

Dhṛtarāṣṭra–Saṃjaya Saṃvāda: Anuśocana, Nimittāni, and Vidura’s Warning

भ्रुकुटीकृतदुष्प्रेक्ष्य्म भवत्‌ तस्य तन्मुखम्‌ | युगान्तकाले सम्प्राप्ते कृतान्तस्येव रूपिण:,भौंहें तनी होनेके कारण प्रलयकालमें मूर्तिमान्‌ू यमराजकी भाँति उनके भयानक मुखकी ओर देखना भी कठिन हो रहा था

bhru-kuṭī-kṛta-duṣprekṣyaṁ bhavat tasya tan-mukham | yugānta-kāle samprāpte kṛtāntasyeva rūpiṇaḥ ||

Bhima berkata: “Dengan kening berkerut rapat, wajahnya menjadi begitu menggerunkan hingga sukar dipandang—seperti Maut sendiri menjelma tatkala tibanya akhir suatu zaman.”

भ्रुकुटी-कृत-दुष्प्रेक्ष्यम्made hard to look at by a frown
भ्रुकुटी-कृत-दुष्प्रेक्ष्यम्:
Karma
TypeAdjective
Rootभ्रुकुटी + कृत (√कृ) + दुष्प्रेक्ष्य (दुर्+प्रेक्ष्य)
FormNeuter, Accusative, Singular
भवत्of you/your
भवत्:
Adhikarana
TypePronoun
Rootभवत्
FormMasculine, Genitive, Singular
तस्यof him/that
तस्य:
Adhikarana
TypePronoun
Rootतद्
FormMasculine/Neuter, Genitive, Singular
तत्that
तत्:
Karma
TypePronoun
Rootतद्
FormNeuter, Accusative, Singular
मुखम्face/mouth
मुखम्:
Karma
TypeNoun
Rootमुख
FormNeuter, Accusative, Singular
युगान्त-कालेat the end of an age (at doomsday time)
युगान्त-काले:
Adhikarana
TypeNoun
Rootयुगान्त + काल
FormMasculine, Locative, Singular
सम्प्राप्तेwhen (it is) arrived/come
सम्प्राप्ते:
Adhikarana
TypeAdjective
Rootसम्+√प्राप् (सम्प्राप्त)
FormMasculine, Locative, Singular
कृतान्तस्यof Death (Yama)
कृतान्तस्य:
Adhikarana
TypeNoun
Rootकृतान्त
FormMasculine, Genitive, Singular
इवlike/as if
इव:
TypeIndeclinable
Rootइव
रूपिणःof one having the form
रूपिणः:
Adhikarana
TypeAdjective
Rootरूपिन्
FormMasculine, Genitive, Singular

भीम उवाच

B
Bhima
K
Kṛtānta (Death/Yama)

Educational Q&A

The verse highlights how uncontrolled anger and intimidation can make a person appear like ‘Death’ itself, underscoring the ethical warning that power in a royal court must be governed by restraint and dharma rather than wrath.

In the tense atmosphere of the Kuru court during the Sabha events, Bhima describes the other person’s frowning, fearsome face as nearly unwatchable—comparing it to embodied Death at the world’s end—thereby intensifying the scene’s moral and political crisis.