निपेतुरप्युत्तमपुष्पवृष्टय: सुगन्धिगन्धा: पवनेरिता: शुभा: | तत्पश्चात् आकाशमें हर्षसे उल्लासित हुए दर्शकोंद्वारा साधुवाद देनेके साथ-साथ दिव्य बाजे भी बजाये जाने लगे। वायुकी प्रेरणासे वहाँ सुन्दर सुगन्धित और उत्तम फूलोंकी वर्षा होने लगी
nipetur apy uttama-puṣpa-vṛṣṭayaḥ sugandhi-gandhāḥ pavaneritāḥ śubhāḥ |
Sañjaya berkata: Bahkan hujan bunga yang paling indah—harum, membawa tuah, dan dihembus angin—turun dari atas. Sesudah itu langit seakan bersorak: para penonton yang teruja melaungkan “Syabas!”, sementara alat muzik ilahi bergema, dan bunga-bunga harum nan elok terus gugur bagaikan hujan.
संजय उवाच
The verse highlights how extraordinary deeds in the epic are framed by ‘cosmic’ responses—omens and auspicious signs—suggesting that actions in war are not merely physical events but are evaluated within a moral and symbolic universe where approval or wonder is expressed through nature and the divine.
Sañjaya reports an auspicious spectacle: fragrant, excellent flowers rain down, carried by the wind, while onlookers exclaim in praise and divine instruments sound—marking a climactic moment of admiration for what has just occurred on the battlefield.