नराश्वरथमातज़ा युधि गाण्डीवधन्चना । शयव्रातैश्वषिता रेजु: कदम्बा इव केसरै:
narāśvarathamātaṅgā yudhi gāṇḍīvadhanvanā | śaravrātaiś chaviṣitā rejūḥ kadambā iva kesaraiḥ ||
Sañjaya berkata: Di medan perang, manusia, kuda, kereta perang dan gajah—yang ditembusi oleh hujan anak panah Arjuna, pemegang busur Gāṇḍīva—kelihatan seakan dihias, bagaikan bunga kadamba yang berseri dengan benang sarinya.
संजय उवाच
The verse highlights how martial skill can make scenes of destruction appear visually ‘ornamented,’ prompting reflection on the ethical gravity of war: aesthetic brilliance and heroic prowess do not neutralize the suffering and moral burden inherent in violence.
Sañjaya describes Arjuna’s intense arrow-fire on the battlefield: warriors, horses, chariots, and elephants are riddled with arrows, and the protruding shafts are compared to the stamens of kadamba flowers, creating a vivid and unsettling image of the carnage.