Shloka 60
अर्जुनस्य द्रोणिप्रतिघातः कर्णोपसर्पणं च
Arjuna Checks Droṇaputra; Karṇa Advances
नृत्यन्निव हि राधेयश्वापहस्तं प्रतापवान् | यैविद्ध: प्रत्यविद्ध्यत् तानेकैकं त्रिगुणै: शरै:,प्रतापी राधापुत्र कर्ण हाथमें धनुष लेकर नृत्य-सा कर रहा था। जिन-जिन योद्धाओंने उसे एक बाणसे घायल किया, उनमेंसे प्रत्येकको उसने तीन गुने बाणोंसे बींध डाला
nṛtyann iva hi rādheyaḥ śvāpa-hastaṁ pratāpavān | yair viddhaḥ pratyaviddhyat tān ekaikaṁ triguṇaiḥ śaraiḥ ||
Sañjaya berkata: Rādheya (Karna) yang perkasa, dengan busur di tangan, bergerak di medan perang seolah-olah sedang menari. Sesiapa sahaja pahlawan yang melukainya dengan sebatang anak panah, setiap seorang daripadanya dibalasnya satu demi satu—ditembusi dengan rentetan panah tiga kali ganda.
संजय उवाच
Educational Q&A
The verse underscores the kṣatriya battlefield code: swift, proportionate retaliation and unwavering courage. It also portrays how mastery in war can appear effortless—‘like a dance’—even amid lethal conflict.
Sañjaya describes Karna’s dynamic fighting: with bow in hand he maneuvers as if dancing, and for every warrior who wounds him with one arrow, he responds by piercing that warrior with a triple set of arrows, one by one.