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Shloka 65

Droṇa-parva Adhyāya 25 — Bhīma’s Disruption of Elephant Formations and Bhagadatta’s Shock Advance

इदं घोरमिदं चित्रमिदं रौद्रमिति प्रभो । तत्र युद्धान्यदृश्यन्त प्रततानि बहूनि च,प्रभो! वहाँ भिन्न-भिन्न दलोंमें बहुत-से विस्तृत युद्ध दृष्टिगोचर हो रहे थे, जिन्हें देखकर दर्शक कहते थे “यह घोर युद्ध हो रहा है, यह विचित्र संग्राम दिखायी देता है और यह अत्यन्त भयंकर मारकाट हो रही है!

idaṁ ghoram idaṁ citram idaṁ raudram iti prabho | tatra yuddhāny adṛśyanta pratatāni bahūni ca ||

Sañjaya berkata: “Wahai tuanku, di sana kelihatan banyak pertempuran yang terbentang di segenap penjuru. Para penonton, terkejut oleh apa yang mereka saksikan, tidak henti-henti berseru: ‘Ini mengerikan; ini menakjubkan; ini ganas dan bermandi darah!’”

idamthis
idam:
Karta
TypePronoun
Rootidam
FormNeuter, Nominative, Singular
ghoramterrible
ghoram:
Karta
TypeAdjective
Rootghora
FormNeuter, Nominative, Singular
idamthis
idam:
Karta
TypePronoun
Rootidam
FormNeuter, Nominative, Singular
citramwonderful/strange
citram:
Karta
TypeAdjective
Rootcitra
FormNeuter, Nominative, Singular
idamthis
idam:
Karta
TypePronoun
Rootidam
FormNeuter, Nominative, Singular
raudramfierce/violent
raudram:
Karta
TypeAdjective
Rootraudra
FormNeuter, Nominative, Singular
itithus (quoting)
iti:
TypeIndeclinable
Rootiti
prabhoO lord
prabho:
TypeNoun
Rootprabhu
FormMasculine, Vocative, Singular
tatrathere
tatra:
Adhikarana
TypeIndeclinable
Roottatra
yuddhānibattles
yuddhāni:
Karta
TypeNoun
Rootyuddha
FormNeuter, Nominative, Plural
adṛśyantawere seen/appeared
adṛśyanta:
TypeVerb
Rootdṛś
FormImperfect, Atmanepada (passive sense), Third, Plural
pratatānispread out/extended
pratatāni:
Karta
TypeAdjective
Rootpra-tata
FormNeuter, Nominative, Plural
bahūnimany
bahūni:
Karta
TypeAdjective
Rootbahu
FormNeuter, Nominative, Plural
caand
ca:
TypeIndeclinable
Rootca

संजय उवाच

S
Sañjaya
D
Dhṛtarāṣṭra

Educational Q&A

The verse highlights the ethical and psychological impact of war: even when framed as duty, battle manifests as horror and ferocity to witnesses. Sañjaya’s report underscores how violence overwhelms ordinary moral sensibilities, prompting spontaneous judgments—‘dreadful, strange, fierce’—rather than triumphal celebration.

Sañjaya is describing to King Dhṛtarāṣṭra the battlefield scene in Droṇa Parva: numerous engagements are occurring simultaneously across different formations. The fighting is so intense and varied that spectators repeatedly comment on its dreadful, astonishing, and fiercely destructive nature.