Sainyavinyāsa–Lakṣaṇa (Disposition of Armies and Battlefield Omens) | सैन्यविन्यास–लक्षणम्
चन्द्रप्रभं श्वेतमथातपत्र सौवर्णसख्रग् भ्राजति चोत्तमाड़े । त॑ सर्वतः शकुनि: पर्वतीयै: सार्थ गान्धारैर्याति गान्धारराज:
sañjaya uvāca |
candraprabhaṁ śvetam athātapatraṁ sauvarṇa-srag bhrājati cottamāṅge |
taṁ sarvataḥ śakuniḥ parvataiyaiḥ sārthaṁ gāndhārair yāti gāndhāra-rājaḥ ||
Sañjaya berkata: Sebuah payung putih, bersinar laksana bulan, diangkat tinggi di atasnya, dan kalungan emas berkilau di kepalanya. Raja Gāndhāra, Śakuni, mara bersama para pahlawan gunung dari Gāndhāra, bergerak sehingga mengepung Duryodhana dari segala arah—suatu gambaran perlindungan yang dipamerkan, namun juga menyiratkan jalinan nasihat dan pengaruh yang kian mengetat mengelilingi pihak Kaurava ketika susunan perang mula terbentuk.
संजय उवाच
The verse underscores how outward symbols of sovereignty (parasol, gold garland) and the visible support of allies can project legitimacy and strength, yet it also suggests an ethical tension: power is being consolidated around a cause driven by ambition and contested dharma, where influence and counsel (notably Śakuni’s) shape the course toward conflict.
Sañjaya describes the Kaurava-side leaders and their formations: Śakuni, identified as the king of Gāndhāra, advances with Gāndhāra’s mountain warriors, moving in a way that surrounds and supports Duryodhana, while royal emblems—especially a moon-bright white parasol and a golden garland—mark the central figure’s prominence.