Tila–Darbha–Maṇḍala in Aūrdhvadaihika: Protection, Eligibility, and the Merit of Salt-Dāna
अपसव्यादितो ब्रह्मा दर्भमध्ये तु केशवः / दर्भाग्रे शङ्करं विद्यात्त्रयो देवाः कुशे स्थिताः
apasavyādito brahmā darbhamadhye tu keśavaḥ / darbhāgre śaṅkaraṃ vidyāttrayo devāḥ kuśe sthitāḥ
Ketahuilah: pada sisi apasāvya rumput darbha ialah Brahmā; di bahagian tengahnya ialah Keśava (Viṣṇu); dan pada hujungnya ialah Śaṅkara (Śiva). Demikianlah tiga dewa difahami bersemayam dalam rumput kuśa.
Lord Vishnu (in discourse to Garuda/Vinata-putra)
Ritual Type: Parvana
Beneficiary: Pitr
Timing: During preparation/handling of kuśa in śrāddha and tarpaṇa
Concept: Divinity is immanent in ritual supports; the triad can be contemplated through a single sacred object (kuśa).
Vedantic Theme: Saguna-brahman contemplation through symbols; unity-in-diversity—multiple deities apprehended within one sacred medium.
Application: Handle kuśa with reverence; use it as a focus for mantra and visualization during rites; maintain purity of implements.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: ritual implement (kuśa/darbha) within altar space
Related Themes: Garuda Purana śrāddha passages on kuśa as pavitra and seat of deities; Garuda Purana invocations placing deities in ritual items
This verse teaches that darbha is ritually treated as a sacred seat containing Brahmā, Viṣṇu (Keśava), and Śiva (Śaṅkara), which is why it is used to sanctify actions like offerings and placements in death-related rites.
It specifies a ritual mapping: Brahmā at the left-turned side (apasavya), Keśava in the middle, and Śaṅkara at the tip—helping the practitioner visualize and handle darbha with devotional precision.
When performing śrāddha, tarpaṇa, or related rites, treat darbha respectfully and mindfully—using it with the awareness that it symbolizes the presence of the Trimūrti and supports disciplined, reverent ritual conduct.