Shloka 4
Haristuti-saṅgraha: Devatā–Ṛṣi Praṇāma, Nāma-māhātmya, and Vairāgya from Deha-āsakti
एवं स्तुत्वा देवदेवो हरिं च तूष्णीं स्थितः प्राञ्जलिर्नम्रभूर्धा / तदनन्तरजो ब्रह्मा अहङ्कारिक ऊचिवान्
evaṃ stutvā devadevo hariṃ ca tūṣṇīṃ sthitaḥ prāñjalirnamrabhūrdhā / tadanantarajo brahmā ahaṅkārika ūcivān
Demikianlah, setelah memuji Hari, Dewa segala dewa berdiri diam, dengan tangan terkatup dan kepala tunduk rendah. Sesudah itu Brahmā, yang lahir kemudian—prinsip ahaṅkāra (keakuan)—pun berkata.
Narrator (Purana narrator describing the scene); Brahma begins speaking at the end of the verse
Concept: Mauna and humility as the natural culmination of praise; Brahmā associated with ahaṅkāra indicates the emergence of cosmic principle-language after devotion.
Vedantic Theme: From bhakti (stuti) to silence (mauna) pointing toward the ineffable; then the play of tattvas (ahaṅkāra) in creation discourse.
Application: After prayer, sit briefly in silence; observe ego (ahaṅkāra) arising and let it be contextualized within a larger spiritual frame.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Related Themes: Garuda Purana: narrative transitions between speakers in adhyāya structure (general)
FAQs
This verse links Brahmā with ahaṅkāra, indicating that the sense of individuation and “I-making” is a key stage in manifestation, after which creation and differentiated experience proceed.
By highlighting ahaṅkāra, the verse points to a subtle principle that shapes identity; in Garuda Purana contexts, such identity-formation underlies how the jīva experiences karma and post-death states through the subtle body.
Cultivate humility and self-observation: devotion (folded hands, bowed head) and awareness of ego’s role help reduce अहङ्कार, supporting dharmic choices and calmer responses in daily life.