Śālagrāma–Sudarśana-Vyūha Nirūpaṇa, Tīrtha-Saṅgraha, Samvatsara-Nāma, and Mantra-Rakṣā
नन्दनो विजयश्चैव जयो मन्मथदुर्मुखौ / हेमलम्बो विलंबश्च विकारः शर्वरी प्लवः
nandano vijayaścaiva jayo manmathadurmukhau / hemalambo vilaṃbaśca vikāraḥ śarvarī plavaḥ
Nandana, Vijaya, Jaya, Manmatha, Durmukha; Hemalamba, Vilamba, Vikāra, Śarvarī dan Plava—itulah nama-nama (yang disebut).
Lord Vishnu (speaking to Garuda/Vinata-putra)
Concept: Nāma as invocation of auspiciousness (Nandana), victory (Vijaya/Jaya), and transcendence over inner disturbances (Durmukha/Vikāra) through remembrance.
Vedantic Theme: Transforming inner vṛttis by fixing the mind on Ishvara’s auspicious attributes; moving toward equanimity.
Application: When facing obstacles or negativity (durmukha), recite victory-epithets (Vijaya/Jaya) to reframe the mind toward steadiness and right action.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Related Themes: Garuda Purana 1.66 (continued list)
Such verses preserve traditional enumerations used for identification, recitation, and continuity of the text’s cosmological or ritual catalogues within the Vishnu–Garuda dialogue.
This specific verse is primarily an enumeration of names rather than a direct description of the soul’s journey; its function is contextual, supporting the chapter’s broader listing framework.
Use it for accurate chanting, study, and cross-referencing when reading Adhyaya 66, ensuring the correct preservation of traditional names and sequences.