Prāsāda-Lakṣaṇa: Temple Proportions, Śikhara Ratios, Liṅga–Pīṭha Measures, and Auspicious Ground-Plans
विजयो नामतः श्वेतस्त्रिविष्टिपसमुद्भवाः / त्रिकोणं पद्ममर्धेन्दुश्चतुष्कोणं द्विरष्टकम्
vijayo nāmataḥ śvetastriviṣṭipasamudbhavāḥ / trikoṇaṃ padmamardhenduścatuṣkoṇaṃ dviraṣṭakam
Ada suatu (bentuk/takhta) bernama Vijaya, berwarna putih dan lahir dari alam surga. Ia bertanda segi tiga, teratai, bulan sabit (setengah bulan), bentuk empat penjuru, serta dua set lapan (yakni enam belas) bahagian.
Lord Vishnu (in dialogue to Garuda/Vinatā-putra, as per the common narrative frame of the Garuda Purana)
Concept: Sacred geometry (triangles, lotus, lunar arc, quadrangles, sixteenfold division) as a deva-derived template for auspicious success (vijaya).
Vedantic Theme: Order (niyati) and harmony in form as a support for sattva and focused mind; geometry as a contemplative aid.
Application: In ritual pavilion/yantra planning, incorporate the specified geometric marks and proportional divisions to align the space with ‘vijaya’ (success) and purity.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial realm
Related Themes: Garuda Purana 1.47.33 (application: maṇḍapa arrangement and fruits)
The verse identifies ‘Vijaya’ as a pure, heaven-origin form/seat characterized by specific auspicious geometric marks used to signify sanctity and spiritual ‘victory’ in ritual or meditative contexts.
Indirectly: by linking purity and heavenly origin with auspicious marks, it supports the broader Garuda Purana theme that spiritual merit and correct sacred observances align one with higher realms (such as Svarga).
Use it as a reminder that ritual purity and disciplined practice matter: keep worship spaces clean, approach rites with clarity, and contemplate auspicious symbols (lotus, half-moon, square/triangle) as aids for steadiness and inner uplift.