वलयो दुन्दुभिः पद्मो महापद्मस्तथापरः / मुकुली चास्य उष्णीषी शङ्खश्च कलशस्तथा
valayo dundubhiḥ padmo mahāpadmastathāparaḥ / mukulī cāsya uṣṇīṣī śaṅkhaśca kalaśastathā
“Ada pula gelang (valaya), dundubhi (gendang besar), padma (teratai), mahāpadma (teratai agung) dan satu bentuk yang lain; dan baginya juga ada mukulī (hiasan seperti kuntum), uṣṇīṣa (serban), śaṅkha (sangkakala), serta kalaśa (tempayan air).”
Lord Vishnu (speaking to Garuda/Vinata-putra in instruction)
Concept: Auspicious symbols (padma, śaṅkha, kalaśa) as supports for devotional attention and sacred aesthetics.
Vedantic Theme: Saguna-upāsanā: the mind steadied through symbol and beauty, leading toward inner purity (sattva).
Application: Use simple auspicious items (clean water-pot, conch/chant, lotus imagery) to structure daily worship and cultivate purity and gratitude.
Primary Rasa: adbhuta
Secondary Rasa: shringara
Type: ritual/royal regalia setting (implied)
Related Themes: Garuda Purana 1.47.24–27 (continuing enumerations of forms/objects)
This verse groups śaṅkha and kalaśa among auspicious divine emblems, indicating purity, sanctification, and ritual completeness in worship and sacred description.
Indirectly: rather than describing the soul’s journey, it lists auspicious insignia and ritual-symbolic items, supporting the text’s broader dharmic framework that underlies post-death rites and merit.
Use these symbols mindfully in pūjā—especially śaṅkha and kalaśa—as reminders of purity, order, and auspicious intention in daily ritual and ethical living.