Shloka 2

Hasta-Nyāsa and Karāsphālana; Directional and Protective Nyāsa; Worship of the Twelve Maṇḍalas

स्मंस्मं मणिबन्धाय नमः / ऐं ह्रीं श्रीं करास्फालाय नमः / महातेजोरूपं हुंहुङ्कारेण करास्फालनं कुर्यात्

smaṃsmaṃ maṇibandhāya namaḥ / aiṃ hrīṃ śrīṃ karāsphālāya namaḥ / mahātejorūpaṃ huṃhuṅkāreṇa karāsphālanaṃ kuryāt

Sembah—'smaṃsmaṃ'—kepada pergelangan tangan (maṇibandha). Sembah—'aiṃ hrīṃ śrīṃ'—kepada tepukan tangan. Dengan mengambil bentuk cahaya yang hebat, seseorang harus melakukan tepukan tangan (karāsphālana) dengan ucapan 'huṃ huṅ'.

smaṃsmaṃSman (Mystical seed sound)
smaṃsmaṃ:
None
TypeIndeclinable
Rootsmaṃ (बीज)
FormMantra Seed (Bija Akshara), Repetitive
maṇibandhāyaTo the wrist
maṇibandhāya:
Sampradana (Recipient)
TypeNoun
Rootmaṇibandha (प्रातिपदिक)
FormMasculine, Dative (4th), Singular
namaḥSalutation
namaḥ:
None
TypeIndeclinable
Rootnamas (प्रातिपदिक/अव्यय)
FormIndeclinable noun used with Dative
aiṃAim (Mystical seed sound)
aiṃ:
None
TypeIndeclinable
Rootaiṃ (बीज)
FormSaraswati Bija
hrīṃHrim (Mystical seed sound)
hrīṃ:
None
TypeIndeclinable
Roothrīṃ (बीज)
FormMaya Bija
śrīṃShrim (Mystical seed sound)
śrīṃ:
None
TypeIndeclinable
Rootśrīṃ (बीज)
FormLakshmi Bija
karāsphālāyaTo the clapping of hands
karāsphālāya:
Sampradana (Recipient)
TypeNoun
Rootkarāsphāla (प्रातिपदिक)
FormMasculine, Dative (4th), Singular
mahātejorūpaṃOf the form of great luster
mahātejorūpaṃ:
Karma (Object) / Kriya-visheshana
TypeAdjective
Rootmahātejorūpa (प्रातिपदिक)
FormNeuter, Accusative (2nd), Singular (used adverbially)
huṃhuṅkāreṇaWith the sound 'Hum'
huṃhuṅkāreṇa:
Karana (Instrument)
TypeNoun
Roothuṃhuṅkāra (प्रातिपदिक)
FormMasculine, Instrumental (3rd), Singular
karāsphālanaṃHand-clapping
karāsphālanaṃ:
Karma (Object)
TypeNoun
Rootkarāsphālana (प्रातिपदिक)
FormNeuter, Accusative (2nd), Singular
kuryātShould do/perform
kuryāt:
Kriya (Action)
TypeVerb
Rootkṛ (धातु)
FormVidhi Lin (Optative), Parasmaipada, Prathama Purusha (3rd), Singular

Lord Vishnu (in instruction to Garuda/Vinata-putra)

Concept: Mantra + bodily gesture (karāsphālana) as a consecratory act that awakens tejas and seals intention.

Vedantic Theme: Śakti as upādhi: disciplined action purifies the antaḥkaraṇa and steadies attention, preparing for higher realization.

Application: Use mantra with deliberate breath and hand action to shift from distraction to one-pointedness before japa/pujā; keep the act non-violent and inwardly oriented.

Primary Rasa: adbhuta

Secondary Rasa: vira

Related Themes: Garuda Purana 1.26.3 (nyāsa/anga-mantras continuation); Garuda Purana 1.26.4 (maṇḍala-pūjā sequence)

V
Vishnu
G
Garuda

FAQs

This verse treats hand-clapping as a deliberate ritual act empowered by bīja-mantras, used to invoke radiance/tejas and protective force rather than being a mere gesture.

Indirectly: it provides a mantric-ritual method aimed at purification and protection (tejas), which Garuda Purana often frames as supportive for spiritual steadiness amid fear, impurity, and subtle influences affecting embodied beings.

Use it as a reminder that ritual actions are meant to cultivate inner clarity and courage (tejas); if practicing mantras, follow a qualified tradition and focus on ethical living alongside any ritual observance.