Parīkṣit’s Final Absorption, Takṣaka’s Bite, Janamejaya’s Snake Sacrifice, and the Vedic Sound-Lineage
ततोऽक्षरसमाम्नायमसृजद् भगवानज: । अन्तस्थोष्मस्वरस्पर्शह्रस्वदीर्घादिलक्षणम् ॥ ४३ ॥
tato ’kṣara-samāmnāyam asṛjad bhagavān ajaḥ antasthoṣma-svara-sparśa- hrasva-dīrghādi-lakṣaṇam
Daripada oṁkāra itu juga Bhagavān Brahmā, sang Aja, mencipta seluruh rangkaian aksara: vokal, konsonan, separuh vokal, sibilan dan lain-lain, dibezakan oleh ciri seperti bunyi pendek dan panjang.
This verse explains that the unborn Supreme Lord manifests the ordered system of syllables (akṣara-samāmnāya), categorized into vowels, consonants, semivowels, sibilants, and distinctions like short and long sounds—indicating that sacred sound has a divine origin.
Śukadeva is presenting a cosmological and philosophical account where creation includes the manifestation of śabda (sound). By describing the structure of letters and pronunciation, he shows how Vedic revelation and articulate speech arise from the Lord’s ordering potency.
It encourages reverence for truthful speech and mindful chanting—especially mantra and nāma-saṅkīrtana—recognizing sound as spiritually potent and meant to connect the mind and heart to the Supreme.