Akrūra’s Mission: The Departure from Vraja and the Yamunā Vision of Viṣṇu-Ananta
सुमहार्हमणिव्रातकिरीटकटकाङ्गदै: । कटिसूत्रब्रह्मसूत्रहारनूपुरकुण्डलै: ॥ ५१ ॥ भ्राजमानं पद्मकरं शङ्खचक्रगदाधरम् । श्रीवत्सवक्षसं भ्राजत्कौस्तुभं वनमालिनम् ॥ ५२ ॥
su-mahārha-maṇi-vrāta kirīṭa-kaṭakāṅgadaiḥ kaṭi-sūtra-brahma-sūtra hāra-nūpura-kuṇḍalaiḥ
Dengan mahkota, gelang dan kelat lengan bertatahkan permata tiada ternilai, serta tali pinggang, benang suci (yajñopavīta), kalung, loceng buku lali dan subang, Tuhan bersinar dengan cahaya ilahi yang mempesona. Pada satu tangan Baginda memegang teratai, dan pada tangan yang lain memegang sangkakala, cakra dan gada; di dada-Nya tertera tanda Śrīvatsa, permata Kaustubha yang gemilang, serta vanamālā, kalungan bunga rimba.
This verse describes Śrī Kṛṣṇa resplendent with priceless jewels and traditional divine/royal ornaments—crown, armlets, waist-belt, sacred thread, necklaces, anklets, and earrings—highlighting His transcendental beauty.
Śukadeva depicts Kṛṣṇa’s darśana in vivid detail to deepen devotion and remembrance, showing that the Supreme Person appears in an exquisitely personal, worshipful form.
Regularly remembering Kṛṣṇa’s form (rūpa-smaraṇa) through reading and contemplation steadies the mind, strengthens bhakti, and redirects attention from anxiety toward sacred remembrance.