Vamana Purana — Sin-Destroying Hymn (Part 2), Shloka 2

The Second Sin-Destroying Hymn (Pāpaśamana Stava) and Syncretic Praise of Hari-Hara

Devanagari script

मत्स्यं नमस्ये देवेशं कूर्मं गोविन्दमेव च हयशीर्षं नमस्ते ऽहं भवं विष्णुं त्रिविक्रमम्

Transliteration

matsyaṃ namasye deveśaṃ kūrmaṃ govindameva ca hayaśīrṣaṃ namaste 'haṃ bhavaṃ viṣṇuṃ trivikramam

Translation

{"scene_description": "Triptych of three shrines in distinct landscapes: Ajeśa with Śambhu icon (matted hair, trident emblem); Kurujāṅgala with Sthāṇu as a steadfast pillar-like Śiva-liṅga; Diṣkindhā with Vanamālin—Vishnu adorned with forest garland—showing the same divine presence recognized differently.", "primary_figures": ["Śambhu (Śiva)", "Sthāṇu (Śiva/immovable)", "Vanamālin (Viṣṇu)", "pilgrims of the three regions"], "setting": "Three-region sacred panorama with shrine architecture variations and local flora.", "color_palette": ["ash white", "rudraksha brown", "forest green", "saffron", "lapis blue"], "tanjore_prompt": "Tanjore gold-leaf triptych: left panel Śambhu with trident and crescent, right hand blessing; center panel Sthāṇu as ornate liṅga with gold arch; right panel Vanamālin Viṣṇu with long forest garland, conch and discus; jeweled crowns, rich maroons and greens, embossed halos.", "pahari_prompt": "Pahari miniature triptych with soft hills and plains: Śambhu in a small stone temple at Ajeśa, Sthāṇu-liṅga in Kurujāṅgala grove, Vanamālin Viṣṇu in forested Diṣkindhā; delicate pilgrims, pastel washes, fine facial features.", "kerala_mural_prompt": "Kerala mural frieze: alternating Śiva and Viṣṇu panels with bold outlines; Śambhu and Sthāṇu rendered with sacred ash tones; Vanamālin with green garland and yellow garments; temple border motifs and lotus medallions.", "pattachitra_prompt": "Pattachitra scroll with three labeled scenes: Śambhu, Sthāṇu-liṅga, Vanamālin; flat perspective, patterned textiles, decorative borders; emphasis on garland and trident symbols for quick recognition."}

Speakers

• Unspecified in the provided excerpt (a devotee/narrator voice offering a litany of salutations; in this chapter-context it functions as a formal stuti within the narrative frame).

Primary Deities

• Vishnu
• Matsya
• Kurma
• Hayagriva
• Trivikrama
• Shiva (Bhava)

Key Themes

• Stuti (devotional praise)
• Dashavatara/avatāra theology (partial list)
• Shaiva-Vaishnava unity (Bhava named alongside Vishnu)
• Cosmic sovereignty of Vishnu (Trivikrama epithet)

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Why are multiple avatāras invoked together in a single verse?

Such catalog-style salutations function as a ‘māṅgalika’ stuti: by recalling several manifestations, the text frames Vishnu as the single supreme reality who assumes diverse forms for cosmic protection, and it ritually sanctifies the narrative that follows.

Does the inclusion of ‘Bhava’ mean Shiva is being worshipped here?

‘Bhava’ is a standard epithet of Shiva; its placement alongside ‘Viṣṇu’ and ‘Trivikrama’ is typical of Purāṇic ecumenism, signaling theological harmony rather than strict sectarian separation. It can also be read as acknowledging Shiva’s presence within a Vishnu-centered hymn.

What is the significance of Trivikrama in the Vāmana Purāṇa?

Trivikrama is the climactic, cosmic expansion of Vāmana in the Bali episode—Vishnu’s three strides establish divine sovereignty over the three worlds, making ‘Trivikrama’ a key name in the Purāṇa’s central narrative arc.