Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
नीलेन्दीवरनेत्रा च ब्रह्मन् बिल्वफलस्तनी प्रफुल्लकुन्ददशना मञ्जरीकरशोभिता
nīlendīvaranetrā ca brahman bilvaphalastanī praphullakundadaśanā mañjarīkaraśobhitā
हे ब्राह्मण, तिचे नेत्र निळ्या कमळासारखे, स्तन बिल्वफळासारखे; दात पूर्ण फुललेल्या कुंदफुलांसारखे, आणि तिचे हात मंजिरींच्या गुच्छांनी शोभित होते।
{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
By presenting divinity through auspicious, life-giving symbols (lotus, bilva, kunda), the text encourages sāttvika imagination—training the mind to dwell on purity, generosity, and auspiciousness.
Not a direct pañcalakṣaṇa unit; it functions as devotional-ornamental description supporting a larger māhātmya narrative, typical of Purāṇic didactic style.
Bilva is strongly linked with ritual auspiciousness (notably in Śaiva worship elsewhere), lotus with purity, and kunda with whiteness/clarity—together signaling a form that integrates beauty with sanctity.