HomeVamana PuranaAdh. 20Shloka 11
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Vamana Purana — Chanda & Munda Discover Katyayani, Shloka 11

Chanda and Munda Discover Katyayani; Mahishasura’s Proposal and the Vishnu-Panjara Protection

वृत्तावरोमौ च मृदू कुमार्याः शोभेत ऊरू समनुत्तमौ हि आवासनार्थं मकरध्वजेन जनस्य देशाविव सन्निविष्टौ

vṛttāvaromau ca mṛdū kumāryāḥ śobheta ūrū samanuttamau hi āvāsanārthaṃ makaradhvajena janasya deśāviva sanniviṣṭau

कुमारीचे ऊरू गोल, निररोम व मृदू असून अनुपम शोभतात. जणू मकरध्वजाने लोकांच्या निवासासाठी दोन प्रदेशांसारखे ते स्थिर करून ठेवले आहेत.

वृत्त-अवरोमौrounded and hairless
वृत्त-अवरोमौ:
Visheshana (विशेषण of ऊरू)
TypeAdjective
Rootवृत्त + अवरोम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन; कर्मधारय (वृत्तौ अवरोमौ = rounded and hairless)
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
मृदूsoft
मृदू:
Visheshana (विशेषण)
TypeAdjective
Rootमृदु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन; विशेषण (qualifying ऊरू)
कुमार्याःof the maiden
कुमार्याः:
Shashthi-sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootकुमारी (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी-विभक्ति, एकवचन
शोभेतwould shine / shines (poetic)
शोभेत:
Kriya (क्रिया)
TypeVerb
Root√शुभ् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन; आत्मनेपद
ऊरूthe two thighs
ऊरू:
Karta (कर्ता/Subject)
TypeNoun
Rootऊरु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन
समनुत्तमौmost excellent
समनुत्तमौ:
Visheshana (विशेषण of ऊरू)
TypeAdjective
Rootसम् + अनु + उत्तम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन; उपसर्गपूर्वपद-समास (समनु-उत्तम = exceedingly excellent)
हिindeed
हि:
Emphasis (निपात)
TypeIndeclinable
Rootहि (अव्यय)
Formअव्यय; निपात
आवासनार्थम्for residence
आवासनार्थम्:
Prayojana (प्रयोजन/Purpose)
TypeNoun
Rootआवास + अर्थ (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; तत्पुरुष (आवासस्य अर्थः = for dwelling)
मकरध्वजेनby Makara-bannered (Cupid)
मकरध्वजेन:
Karana (करण/Agent-Instrument)
TypeNoun
Rootमकर + ध्वज (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, एकवचन; बहुव्रीहि (मकरध्वज = ‘whose banner is a makara’, i.e., Kāma)
जनस्यof people
जनस्य:
Shashthi-sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootजन (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति, एकवचन
देशौtwo regions/lands
देशौ:
Upamana (उपमान; in simile)
TypeNoun
Rootदेश (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन
इवlike
इव:
Upama-dyotaka (उपमा-द्योतक)
TypeIndeclinable
Rootइव (अव्यय)
Formअव्यय; उपमा-वाचक (simile particle)
सन्निविष्टौplaced, set
सन्निविष्टौ:
Kriya-visheshana / Visheshana (विशेषण of ऊरू)
TypeAdjective
Rootसम् + नि√विश् (धातु) + क्त (कृदन्त)
Formपुंलिङ्ग, प्रथमा-विभक्ति, द्विवचन; भूतकृदन्त (past participle) ‘seated/placed’
Narrative voice not explicit in excerpt; poetic description
Kāma (Makaradhvaja)
Śṛṅgāra aestheticsEmbodied metaphorKāma as cosmic force

{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

By portraying Kāma as 'seeking residence', the verse hints that desire is not merely personal but a pervasive force that 'inhabits' the mind through sense-perception; ethical discipline involves guarding the inner 'territories' where desire settles.

Like the prior verse, it is ancillary poetic narration (varṇana) rather than a pañcalakṣaṇa core topic.

The thighs as 'two regions' suggest a microcosm-macrocosm mapping: the body becomes a landscape, and Kāma becomes a quasi-divinity occupying that landscape—an aesthetic way to express the sovereignty of erotic impulse.