HomeVamana PuranaAdh. 67Shloka 53
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Vamana Purana — Bali's Sudarshana Worship, Shloka 53

Bali’s Worship of Sudarshana and Prahlada’s Teaching on Vishnu-Bhakti

हरिवाक्यामृतं पीत्वा विमलैः श्रोत्रभाजनैः प्रहृष्यति मनो येषां दुर्गाण्यतितरन्ति ते

harivākyāmṛtaṃ pītvā vimalaiḥ śrotrabhājanaiḥ prahṛṣyati mano yeṣāṃ durgāṇyatitaranti te

जे निर्मळ श्रवणरूपी पात्रांनी हरिवचनामृत पितात आणि ज्यांचे मन प्रसन्न होते, ते दुर्दैव व अनिष्ट संकटे ओलांडून जातात।

Narrator-sage continuing the instruction within Adhyāya 67’s bhakti-phala sequence (speaker frame likely Pulastya → Nāradawith internal address patterns varying by recension).
Vishnu (Hari)
Śravaṇa (hearing) as a primary bhakti limbHari-kathā as amṛta (nectar)Inner purification (vimala) and receptivityJoy (prahṛṣṭa-manas) as a sign of spiritual assimilationCrossing durgati through devotion

{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

It is a layered metaphor: the ear (and the attentive mind behind it) is the ‘vessel’; when purified (vimala) by right intention and discipline, it can ‘contain’ and assimilate Hari-kathā. ‘Drinking’ indicates not mere listening but inward absorption that transforms the listener.

Purāṇic bhakti frequently treats śravaṇa as foundational: it is accessible, repeatable, and community-based, and it generates remembrance (smaraṇa) and praise (kīrtana). This verse links śravaṇa directly to inner joy and to transcending durgati.

The expression is intentionally broad: it can include mantra, stotra, Purāṇic narration (hari-kathā), and dharma teaching attributed to Hari. The key criterion is that the content is ‘Hari-centered’ and received with purified receptivity.