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Shloka 41

अध्याय १ — न्यग्रोधवनोपवेशनम् तथा द्रौणिनिश्चयः

Night at the Banyan and Drauṇi’s Resolve

केषांचिदच्छिनत्‌ पक्षान्‌ शिरांसि च चकर्त ह । चरणांश्वैव केषांचिद्‌ू बभज्ज चरणायुध:,उसने अपने पंजोंसे ही अस्त्रका काम लेकर किन्‍्हीं कौओंके पंख नोच डाले, किन्हींके सिर काट लिये और किन्हींके पैर तोड़ डाले

keṣāñcid acchinat pakṣān śirāṃsi ca cakarta ha | caraṇāṃś caiva keṣāñcid babhajja caraṇāyudhaḥ ||

त्याने आपल्या पंज्यांनाच शस्त्र करून काहींचे पंख उपटले, काहींची मस्तके छाटली आणि काहींचे पाय मोडले।

केषांचित्of some (among them)
केषांचित्:
Adhikarana
TypePronoun
Rootक (प्रातिपदिक: किम्-शब्द)
FormMasculine/Neuter, Genitive, Plural
अच्छिनत्cut off
अच्छिनत्:
Karta
TypeVerb
Rootछिद्
FormImperfect (Laṅ), 3rd, Singular, Parasmaipada
पक्षान्wings
पक्षान्:
Karma
TypeNoun
Rootपक्ष
FormMasculine, Accusative, Plural
शिरांसिheads
शिरांसि:
Karma
TypeNoun
Rootशिरस्
FormNeuter, Accusative, Plural
and
:
TypeIndeclinable
Root
चकर्तcut (down/off)
चकर्त:
Karta
TypeVerb
Rootकृत्
FormImperfect (Laṅ), 3rd, Singular, Parasmaipada
indeed/just (emphasis)
:
TypeIndeclinable
Root
चरणान्feet/legs
चरणान्:
Karma
TypeNoun
Rootचरण
FormMasculine, Accusative, Plural
एवonly/just
एव:
TypeIndeclinable
Rootएव
केषांचित्of some (among them)
केषांचित्:
Adhikarana
TypePronoun
Rootक (प्रातिपदिक: किम्-शब्द)
FormMasculine/Neuter, Genitive, Plural
बभञ्जbroke
बभञ्ज:
Karta
TypeVerb
Rootभञ्ज्
FormPerfect (Liṭ), 3rd, Singular, Parasmaipada
चरणायुधःone whose weapon was his feet/claws
चरणायुधः:
Karta
TypeNoun
Rootचरणायुध (चरण + आयुध)
FormMasculine, Nominative, Singular

संजय उवाच

S
Sañjaya
P
pakṣa (wings)
Ś
śiras (heads)
C
caraṇa (feet/legs)
C
caraṇāyudha (feet as weapons)

Educational Q&A

The verse highlights the moral degradation that follows unchecked violence: when aggression becomes habitual, even ordinary means (like one’s feet) are turned into weapons, leading to indiscriminate harm—an implicit warning against adharma and cruelty.

Sañjaya describes a violent act in which the attacker mutilates victims—tearing wings, cutting off heads, and breaking legs—using his feet as weapons, conveying the brutality and chaos characteristic of the Sauptika episode.