Shloka 67
गते द्वारवतीं कृष्णे सात्वतप्रवरे नूप,राजन! यदुवंशशिरोमणि श्रीकृष्णके द्वारका चले जानेपर भी राजा दुर्योधन तथा सुबलपुत्र शकुनि--ये दोनों नरश्रेष्ठ उस दिव्य सभाभवनमें ही रहे
gate dvāravatīṁ kṛṣṇe sātvata-pravare nṛpa, rājan! yaduvaṁśa-śiromaṇi śrī-kṛṣṇe dvārakāṁ cale jāne’pi rājā duryodhanaḥ saubala-putraḥ śakuniś ca—etau dvau nara-śreṣṭhau tasmin divye sabhā-bhavane eva remāte.
वैशंपायन म्हणाले—राजन्! सात्वतांतील श्रेष्ठ, यदुवंश-शिरोमणी श्रीकृष्ण द्वारवती (द्वारका) कडे निघून गेल्यावरही राजा दुर्योधन आणि सुबलपुत्र शकुनी—हे दोघे नरश्रेष्ठ त्या दिव्य सभाभवनातच थांबून राहिले।
वैशम्पायन उवाच
Educational Q&A
The verse highlights a moral pattern in epic narrative: when a righteous stabilizing presence (Kṛṣṇa) withdraws, those motivated by envy and manipulation (Duryodhana and Śakuni) remain to exploit the situation. It subtly warns that ethical order in governance depends not only on power and splendor but on the character guiding decisions.
After Kṛṣṇa leaves for Dvārakā, Duryodhana and Śakuni do not depart; they stay behind in the magnificent assembly hall. Their lingering signals continued fascination with the hall’s grandeur and, more importantly, sets the stage for further plotting connected with the court and the coming conflict.