Skanda’s Svastyayana and the Slaying of Taraka and Mahisha
गदाचक्राङ्कितकरौ गणासुरमहारथै अयुध्येतां तद ब्रह्मन् लघु चित्रं च सुष्ठु च
gadācakrāṅkitakarau gaṇāsuramahārathai ayudhyetāṃ tada brahman laghu citraṃ ca suṣṭhu ca
അപ്പോൾ ഗദയും ചക്രവും ധരിച്ച കൈകളുള്ള ആ ഇരുവരും ഗണന്മാരുടെയും അസുരന്മാരുടെയും മഹാരഥന്മാരോടു യുദ്ധം ചെയ്തു. ഹേ ബ്രാഹ്മണാ, ആ സമരം അതിവേഗവും അത്ഭുതകരവും നന്നായി മത്സരപൂർണ്ണവുമായിരുന്നു.
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The verse uses a dual verb (ayudhyetām), indicating two principal fighters. The text does not name them here; it characterizes them by weapons/insignia (gadā, cakra). In Purāṇic battle style, such descriptors can denote either specific heroes or a paired combat episode within the larger Gaṇa–Asura war.
Not necessarily. ‘Cakra’ can be a generic discus-weapon in epic diction, though it strongly resonates with Vaiṣṇava iconography. Since the surrounding narrative is Gaṇa-centered (Śaiva milieu), the safest reading is ‘discus-weapon’ unless the chapter elsewhere explicitly identifies Viṣṇu or a Vaiṣṇava avatāra.
Purāṇas frequently retain a dialogic frame. ‘Brahman’ marks the listener (a Brāhmaṇa sage) and signals that the narration is being delivered within a teacher–disciple or sage–sage setting, even when the content shifts to martial episodes.