Vamana Purana — Nara-Narayana's Tapas, Shloka 32
Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
ततो नदीषु पुण्यासु सरस्सु च नदेषु च पुलुनेषु च रम्येषु वापीषु नलिनीषु च
tato nadīṣu puṇyāsu sarassu ca nadeṣu ca puluneṣu ca ramyeṣu vāpīṣu nalinīṣu ca
പിന്നീട് അവൻ പുണ്യനദികളിലും, തടാകങ്ങളിലും ചെറുനദികളിലും; മനോഹരമായ മണൽത്തീരങ്ങളിലും, കൂടാതെ വാപികൾ/പടിക്കിണറുകളിലും താമരക്കുളങ്ങളിലുമായി (സഞ്ചരിച്ചു)।
{ "primaryRasa": "karuna", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
Even the greatest (Maheśvara) is portrayed as moving through sacred places while inwardly unsettled—suggesting that external sanctity (tīrtha) supports, but does not automatically replace, inner composure; one must integrate outer pilgrimage with inner contemplation.
Primarily Vamśānucarita/Carita-style narrative (character-episode description). It is not sarga/pratisarga; it functions as an episode within a larger storyline describing the deity’s conduct and movement through sacred locales.
The catalog of waters (rivers, lakes, wells, lotus-ponds) symbolizes successive ‘cooling’ remedies for a heat of grief; yet the continuing movement implies the restlessness of viraha—nature mirrors the seeker’s attempt to find relief.