Liṅga-pratiṣṭhāvidhiḥ — Installation Standards and Auspicious Parameters for Liṅga Worship
सर्वं कृतमकामेन साक्षाच्छिवपदप्रदम् । प्रातर्मध्याह्नसायाह्नमहस्त्रिष्वेकतः क्रमात्
sarvaṃ kṛtamakāmena sākṣācchivapadapradam | prātarmadhyāhnasāyāhnamahastriṣvekataḥ kramāt
ഇതെല്ലാം നിഷ്കാമഭാവത്തോടെ ചെയ്താൽ അത് നേരിട്ട് ശിവപദം നൽകുന്നു. പ്രാതഃ, മധ്യാഹ്നം, സായാഹ്നം—ഈ മൂന്ന് പുണ്യസമയങ്ങളിൽ ക്രമമായി, ഓരോ തവണയും പൂർണ്ണാനുഷ്ഠാനമായി ചെയ്യണം.
Suta Goswami (narrating the teaching of Shiva-worship disciplines to the sages at Naimisharanya)
Tattva Level: pashu
Shiva Form: Sadāśiva
Jyotirlinga: Viśvanātha
Sthala Purana: The kṣetra teaching culminates in the Siddhāntic valuation of niṣkāma-bhakti: acts done without desire become directly mokṣa-giving (śivapada-prada). The verse also prescribes tri-sandhyā timing (morning–midday–evening) as a complete daily discipline.
Significance: Frames Kāśī practice as a mokṣa-sādhana when performed with akāma (desirelessness) and regularity at the three sandhyās; emphasizes direct bestowal through Śiva’s grace.
Type: panchakshara
Role: liberating
Offering: dhupa
It teaches that Śiva-realization (Śivapada) is attained not merely by action, but by desireless, devoted performance—nishkāma worship that becomes a direct means to grace and liberation.
Tri-kāla observance (morning–midday–evening) supports steady Saguna worship of Śiva—often through Liṅga-pūjā, japa, and upacāras—purifying the devotee so that Śiva’s presence is experienced ‘directly’ (sākṣāt).
A practical takeaway is tri-kāla sādhana: perform Śiva-japa (especially Pañcākṣarī ‘Om Namaḥ Śivāya’) and/or Liṅga-pūjā at the three daily junctions in proper order, with a desireless intention.