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Shloka 31

भैरवावतारवर्णनम् (Bhairavāvatāra-varṇanam) — “Description of the Descent/Manifestation of Bhairava”

कथम्प्रमथनाथोऽसौ रममाणो निरन्तरम् । दिगम्बरः पीतवर्णो शिवया धूलिधूसरः

kathampramathanātho'sau ramamāṇo nirantaram | digambaraḥ pītavarṇo śivayā dhūlidhūsaraḥ

ആ പ്രമഥങ്ങളുടെ നാഥൻ എങ്ങനെ നിരന്തരം ലീലയിൽ രമിക്കുന്നു? അദ്ദേഹം ദിഗംബരൻ, സ്വർണാഭവർണ്ണൻ; ശിവയോടുള്ള സഹവാസം മൂലം ധൂളിയിൽ ധൂസരിതൻ.

कथम्how?
कथम्:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootकथम् (अव्यय)
Formप्रश्नार्थक-अव्यय (interrogative adverb)
प्रमथ-नाथःlord of the Pramathas
प्रमथ-नाथः:
Karta (कर्ता)
TypeNoun
Rootप्रमथ (प्रातिपदिक) + नाथ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; षष्ठी-तत्पुरुष (प्रमथानां नाथः)
असौthat one (he)
असौ:
Karta (कर्ता)
TypeNoun
Rootअसद्/अदस् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; निर्देशवाचक
रममाणःsporting, delighting
रममाणः:
Karta (कर्ता; participial)
TypeVerb
Rootरम् (धातु)
Formवर्तमानकृदन्त (शतृ/शानच्), आत्मनेपद-प्रयोग; पुंलिङ्ग, प्रथमा, एकवचन
निरन्तरम्continuously
निरन्तरम्:
Kriya-visheshana (क्रियाविशेषण)
TypeIndeclinable
Rootनिरन्तर (प्रातिपदिक/अव्ययवत्)
Formक्रियाविशेषण-अव्यय (adverb)
दिगम्बरःsky-clad (naked)
दिगम्बरः:
Visheshana (विशेषण)
TypeAdjective
Rootदिक् (प्रातिपदिक) + अम्बर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; बहुव्रीहि (दिशः अम्बरं यस्य)
पीत-वर्णःof yellow complexion
पीत-वर्णः:
Visheshana (विशेषण)
TypeAdjective
Rootपीत (प्रातिपदिक) + वर्ण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्मधारय (पीतः वर्णः यस्य)
शिवयाwith Śivā (Pārvatī)
शिवया:
Sahakarana (सहकारण/Instrument)
TypeNoun
Rootशिवा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), एकवचन
धूलि-धूसरःdust-grey, covered with dust
धूलि-धूसरः:
Visheshana (विशेषण)
TypeAdjective
Rootधूलि (प्रातिपदिक) + धूसर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; तत्पुरुष (धूल्या धूसरः)

Suta Goswami

Tattva Level: pati

Shiva Form: Bhikṣāṭana

Type: stotra

Shakti Form: Pārvatī

Role: nurturing

S
Shiva
P
Parvati

FAQs

It presents Shiva’s Saguna līlā: though the supreme Lord, he remains utterly detached (digambara) and yet lovingly united with Śivā, showing that liberation and divine intimacy coexist in Shaiva Siddhānta.

The verse highlights Shiva’s approachable, iconic form—Lord of the gaṇas, ash/dust-besmeared, and united with Śivā—supporting Saguna upāsanā that culminates in realizing the same supreme Shiva signified by the Liṅga.

It points to bhasma-dhāraṇa (Tripuṇḍra) with remembrance of Shiva as digambara and Pramathanātha, cultivating vairāgya (detachment) alongside bhakti; chanting “Om Namaḥ Śivāya” aligns the mind with this ideal.