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Shloka 9

अरण्यकाण्डे द्वात्रिंशः सर्गः

Śūrpaṇakhā’s Report to Rāvaṇa and the Panegyric of His Might

स्निग्धवैडूर्यसङ्काशं तप्तकाञ्चनकुण्डलम्।सुभुजं शुक्लदशनं महास्यं पर्वतोपमम्।।।।

snigdha-vaiḍūrya-saṅkāśaṃ tapta-kāñcana-kuṇḍalam | subhujaṃ śukla-daśanaṃ mahāsyaṃ parvatopamam ||

മിനുക്കിയ വൈഡൂര്യത്തെപ്പോലെ ദീപ്തമായ കാന്തിയുള്ളവൻ, തപ്തകാഞ്ചനകുണ്ഡലങ്ങൾ ധരിച്ചവൻ, ശക്തമായ ഭുജങ്ങളുള്ളവൻ, ശ്വേതദന്തങ്ങളുള്ളവൻ, വിശാലമുഖനായവൻ—പർവതസമമായ പ്രഭാവത്തോടെ തോന്നി.

snigdha-vaiḍūrya-saṅkāśamlike shining vaidūrya
snigdha-vaiḍūrya-saṅkāśam:
Karma (कर्म)
TypeAdjective
Rootsnigdha (प्रातिपदिक) + vaiḍūrya (प्रातिपदिक) + saṅkāśa (प्रातिपदिक)
FormNapumsaka, Dvitīyā, Ekavacana; tatpuruṣa: snigdha-vaiḍūryasya saṅkāśaḥ (resembling glossy cat's-eye gem)
tapta-kāñcana-kuṇḍalamwith burnished-gold earrings
tapta-kāñcana-kuṇḍalam:
Karma (कर्म)
TypeAdjective
Roottapta (कृदन्त/प्रातिपदिक; √tap) + kāñcana (प्रातिपदिक) + kuṇḍala (प्रातिपदिक)
FormNapumsaka, Dvitīyā, Ekavacana; tatpuruṣa: tapta-kāñcanasya kuṇḍale yasya (wearing burnished-gold earrings)
su-bhujamstrong-armed
su-bhujam:
Karma (कर्म)
TypeAdjective
Rootsu (उपसर्ग/अव्यय) + bhuja (प्रातिपदिक)
FormNapumsaka, Dvitīyā, Ekavacana; karmadhāraya: śobhanāḥ bhujāḥ yasya (strong/fine-armed)
śukla-daśanamwhite-toothed
śukla-daśanam:
Karma (कर्म)
TypeAdjective
Rootśukla (प्रातिपदिक) + daśana (प्रातिपदिक)
FormNapumsaka, Dvitīyā, Ekavacana; karmadhāraya: śuklāni daśanāni yasya (white-toothed)
mahā-āsyamwide-mouthed
mahā-āsyam:
Karma (कर्म)
TypeAdjective
Rootmahā (प्रातिपदिक) + āsya (प्रातिपदिक)
FormNapumsaka, Dvitīyā, Ekavacana; karmadhāraya: mahat āsyaṃ yasya (wide-mouthed)
parvata-upamammountain-like
parvata-upamam:
Karma (कर्म)
TypeAdjective
Rootparvata (प्रातिपदिक) + upama (प्रातिपदिक)
FormNapumsaka, Dvitīyā, Ekavacana; tatpuruṣa: parvatasya upamaḥ (like a mountain)

Valiant Ravana had an attractive appearance with beautiful dresses twenty arms,ten heads, a broad chest and brilliant royal marks.

R
Rāvaṇa
V
Vaiḍūrya (gem)

FAQs

The verse supports a recurring Ramayana lesson: beauty, ornament, and impressiveness can mask adharma; discernment must rest on satya (truthfulness) and conduct.

The narrator continues the visual portrait of Rāvaṇa’s imposing, ornamented form.

Physical magnificence is emphasized rather than virtue—creating contrast with the Ramayana’s ideal of inner nobility grounded in dharma.