Shloka 36
ब्राह्मणान्पूजयेद्यत्नात्स तस्यास्तोषयेत्ततः । द्विजानां वपुरास्थाय नित्यं तिष्ठंति देवताः
brāhmaṇānpūjayedyatnātsa tasyāstoṣayettataḥ | dvijānāṃ vapurāsthāya nityaṃ tiṣṭhaṃti devatāḥ
ബ്രാഹ്മണരെ പരിശ്രമത്തോടെ പൂജിച്ച് ആദരിക്കണം; അതിനാൽ അവൾ (ദേവി) ക്ഷണത്തിൽ തന്നെ പ്രസന്നയാകും. കാരണം ദേവതകൾ നിത്യം ദ്വിജരുടെ രൂപം ധരിച്ചു നിലകൊള്ളുന്നു.
Unspecified (narrative instruction within Svarga-khaṇḍa; commonly framed in the Pulastya–Bhīṣma dialogue in this khaṇḍa)
Concept: Honoring brāhmaṇas is honoring the divine presence itself; deities are said to dwell in the dvija-form, making respectful service a direct act of worship.
Application: Practice respectful speech, hospitality, and support toward genuine teachers/priests/learned persons; treat service as worship, not transaction.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A line of venerable brāhmaṇas sits on kusa mats as a devotee offers water, food, and cloth with folded hands; above each brāhmaṇa, a faint luminous overlay of a deity form appears—subtle halos, conch/discus, or celestial ornaments—showing that devas ‘stand’ within the dvija-body. The scene conveys immediate divine proximity through humble service.","primary_figures":["Vaishnava devotee","assembly of brāhmaṇas (dvijas)","subtle deity overlays (Vishnu and other devas as light-forms)"],"setting":"Ritual hall/mandapa with clean floor, offering vessels, banana leaves, water pots, and a small Vishnu shrine in the background anchoring the act as Hari-sevā.","lighting_mood":"temple lamp-lit","color_palette":["warm ghee-lamp gold","sandalwood beige","saffron","deep green","smoke gray"],"tanjore_prompt":"Tanjore painting style: devotee performing brāhmaṇa-pūjā in a mandapa—rows of dvijas with gold halos; translucent deity-forms shimmering above them; heavy gold leaf on halos, vessels, and shrine arch; rich reds/greens, gem-studded accents, formal symmetry emphasizing reverence and sacred embodiment.","pahari_prompt":"Pahari miniature style: intimate hospitality scene—soft lamp glow, delicate linework on faces and hands; faint celestial overlays above brāhmaṇas rendered as pale washes; refined textiles and calm expressions; muted earth tones with gentle gold highlights.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized figures; brāhmaṇas seated in rhythmic repetition; deity-presence shown as luminous icon silhouettes within/behind them; strong reds/yellows/greens with lamp-lit ochre background, temple-wall narrative clarity.","pichwai_prompt":"Pichwai cloth painting style: devotional service tableau—central offering act with ornate floral borders; repeated brāhmaṇa figures framed by lotus medallions; subtle deity symbols (conch, chakra, lotus) hovering like motifs; deep blue or maroon ground with gold and white detailing, intricate Nathdwara-style ornamentation."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["soft bell","low chanting of svasti/mantras","water pouring","quiet assembly murmurs"]}
Sandhi Resolution Notes: pūjayet yatnāt: written as pūjayedyatnāt (t→d before voiced y). yatnāt sa: written as yatnātsa (t + s sandhi). tasyāḥ toṣayet: written as tasyāstoṣayet (ḥ + t sandhi with s insertion in orthography). vapuḥ āsthāya: written as vapurāsthāya (visarga sandhi).
FAQs
It presents brāhmaṇa-sevā (respectful service to the learned and ritually grounded) as a direct dharmic act that immediately yields spiritual merit, because such honor supports Vedic learning, ritual order, and ethical conduct.
The verse teaches a theological ethic: the divine is approached through reverence to worthy human embodiments of sacred knowledge. Serving the dvijas is treated as serving the gods, since divinity is said to be present through them.
Practice diligent respect—hospitality, gifts, and courteous honor—toward qualified brāhmaṇas, understanding such actions as spiritually significant and as a way to cultivate humility and dharmic living.