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Shloka 77

Teaching of Karma-yoga

Student Conduct, Vedic Study, and Gāyatrī Supremacy

तिस्रोऽष्टकाः समाख्याता कृष्णपक्षेषु सूरिभिः । श्लेष्मातकस्य च्छायायां शाल्मलेर्मधुकस्य च

tisro'ṣṭakāḥ samākhyātā kṛṣṇapakṣeṣu sūribhiḥ | śleṣmātakasya cchāyāyāṃ śālmalermadhukasya ca

സൂരിമാർ കൃഷ്ണപക്ഷങ്ങളിൽ മൂന്നു അഷ്ടകകൾ ഉണ്ടെന്ന് പ്രഖ്യാപിച്ചു. ശ്ലേഷ്മാതക, ശാല്മലി, മധൂക വൃക്ഷങ്ങളുടെ നിഴലിൽ (അധ്യയനം/പാരായണം) വर्ज്യം (നിയമം പാലിക്കണം).

तिस्रःthree
तिस्रः:
Visheshana (Qualifier)
TypeAdjective
Rootत्रि (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), बहुवचन; संख्याविशेषण
अष्टकाःAṣṭakās
अष्टकाः:
Karta (Subject/कर्ता)
TypeNoun
Rootअष्टका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), बहुवचन; कर्तृपद (of passive construction)
समाख्याताare called / are designated
समाख्याता:
Kriya (Predicate)
TypeVerb
Rootसम्+आ+ख्या (धातु) → समाख्यात (कृदन्त)
Formभूतकर्मणि कृदन्त (past passive participle), स्त्रीलिङ्ग, प्रथमा, बहुवचन; कर्मणि प्रयोगे विधेय
कृष्णपक्षेषुin the dark fortnights
कृष्णपक्षेषु:
Adhikarana (Locative/अधिकरण)
TypeNoun
Rootकृष्णपक्ष (प्रातिपदिक; कृष्ण+पक्ष)
Formपुंलिङ्ग, सप्तमी (7th/सप्तमी), बहुवचन; अधिकरण
सूरिभिःby the sages
सूरिभिः:
Karana/Agent (Instrumental/कर्ता-हेतु)
TypeNoun
Rootसूरि (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/तृतीया), बहुवचन; करण/कर्तृ (agent in passive)
श्लेष्मातकस्यof the śleṣmātaka tree
श्लेष्मातकस्य:
Sambandha (Genitive)
TypeNoun
Rootश्लेष्मातक (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/षष्ठी), एकवचन; सम्बन्ध (genitive)
च्छायायाम्in the shade
च्छायायाम्:
Adhikarana (Locative/अधिकरण)
TypeNoun
Rootछाया (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन; अधिकरण
शाल्मलेःof the śālmali tree
शाल्मलेः:
Sambandha (Genitive)
TypeNoun
Rootशाल्मलि (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/षष्ठी), एकवचन; सम्बन्ध
मधुकस्यof the madhuka tree
मधुकस्य:
Sambandha (Genitive)
TypeNoun
Rootमधुक (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/षष्ठी), एकवचन; सम्बन्ध
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)

Unspecified (narratorial instruction within the dialogue context of Svarga-khaṇḍa)

Concept: Ritual time (Aṣṭakā in kṛṣṇa-pakṣa) is paired with ritual place (tree-shade), teaching that dharma is embodied—performed within sanctified natural boundaries.

Application: Create a consistent sacred corner (even a tree, balcony plant, or quiet spot) for periodic observances; let place cue the mind into devotion and restraint.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: forest

Visual Art Cues: {"scene_description":"In a dark-fortnight twilight, three sacred trees stand like guardians: the broad-leaved śleṣmātaka, the towering red-flowered śālmali, and the fragrant madhūka. Beneath each canopy, sages perform Aṣṭakā observances—offering water and sesame, lighting a small lamp, and sitting in stillness as the shadows deepen and the sky turns ink-blue.","primary_figures":["three groups of sages","brahmacarins","pitṛs (subtle, translucent presence)","Vishnu (as a distant, serene cosmic witness)"],"setting":"Forest grove with three distinct tree sanctuaries, each with a small ritual space marked by darbha, a water pot, and a low offering platform.","lighting_mood":"forest dappled","color_palette":["ink blue","leaf green","lamp gold","śālmali crimson","earth umber"],"tanjore_prompt":"Tanjore painting style: triptych composition—three sacred trees each framed by gold leaf arches, sages seated beneath with ritual vessels, ornate gold halos on principal rishis, rich reds and greens, gem-like highlights on lamps and water pots, Vishnu’s subtle presence above as a gold-mandala sky, traditional floral borders.","pahari_prompt":"Pahari miniature style: lyrical grove scene with delicate foliage, three trees rendered with botanical nuance, twilight gradient sky, sages in simple white with refined facial features, tiny lamps glowing, cool palette with accents of crimson blossoms, gentle naturalism and quiet devotional mood.","kerala_mural_prompt":"Kerala mural style: stylized trees with bold outlines and patterned leaves, three ritual circles beneath canopies, red-yellow-green pigments, expressive-eyed sages, decorative borders with vine motifs, Vishnu symbol (shankha-chakra) in a circular medallion above.","pichwai_prompt":"Pichwai cloth painting style: symmetrical grove mandala—three tree-canopies forming a tri-lobed lotus-like design, intricate floral borders, small vignettes of offerings (sesame, water, lamp), deep indigo background with gold highlights, peacocks and deer at the margins, devotional stillness."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["rustling leaves","distant owl call","soft mantra murmur","water pouring (tarpaṇa)","single bell at transitions"]}

Sandhi Resolution Notes: तिस्रोऽष्टकाः = तिस्रः+अष्टकाः (विसर्ग/अवग्रह); च्छायायाम् = छायायाम् (च्-आगमः परे छ); शाल्मलेर्मधुकस्य = शाल्मलेः+मधुकस्य (सन्धि)।

FAQs

Aṣṭakās are traditional rites/observances performed on an eighth lunar day (aṣṭamī), often connected with dharmic ritual timing and, in many traditions, with ancestral (pitṛ) offerings.

The verse gives a ritual prescription: the Aṣṭakā observances are associated with sitting/performing in the shade (chāyā) of particular trees—śleṣmātaka, śālmali, and madhuka—indicating a sanctioned ritual setting and auspicious environment.

It emphasizes disciplined observance of dharma through correct timing (kṛṣṇa-pakṣa) and proper procedure (specified setting), reflecting the Purāṇic stress on sincerity and adherence to prescribed ritual order.