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Shloka 21

The Marks of Merit and the Destinies of Beings

Divine vs Demonic Traits

वधबंधरतोद्वेगा द्यूतसंगीतसंप्रियाः । कुभृत्याः कुजनप्रीताः पूतिगंधरता नराः

vadhabaṃdharatodvegā dyūtasaṃgītasaṃpriyāḥ | kubhṛtyāḥ kujanaprītāḥ pūtigaṃdharatā narāḥ

ഹിംസയും ബന്ധനവും മൂലം കലങ്ങുന്നവർ, ചൂതാട്ടത്തിലും ഗാനസംഗീതത്തിലും പ്രിയമുള്ളവർ; ദുഷ്‌സേവകർ, ദുർജനസംഗത്തിൽ ആനന്ദിക്കുന്നവർ, അശുചിയായ ദുർഗന്ധശീലങ്ങളിൽ (അപവിത്രാചാരങ്ങളിൽ) ലീനരായ പുരുഷർ.

वधबंधरतोद्वेगाःgiven to killing and binding, causing agitation
वधबंधरतोद्वेगाः:
Karta (कर्ता/Subject)
TypeAdjective
Rootवध + बन्ध + रत + उद्वेग (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; तत्पुरुष-समाहारः (वधे बन्धे च रताः, उद्वेगयुक्ताः/उद्वेगकराः)
द्यूतसंगीतसंप्रियाःvery fond of gambling and music
द्यूतसंगीतसंप्रियाः:
Karta (कर्ता/Subject)
TypeAdjective
Rootद्यूत + संगीत + संप्रिय (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; तत्पुरुषः (द्यूते संगीते च संप्रियाः)
कुभृत्याःwicked servants/retainers
कुभृत्याः:
Karta (कर्ता/Subject)
TypeNoun
Rootकु + भृत्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; कर्मधारयः (कु-भृत्याः = दुष्टभृत्याः)
कुजनप्रीताःfond of bad people
कुजनप्रीताः:
Karta (कर्ता/Subject)
TypeAdjective
Rootकुजन + प्रीत (कृदन्त; √प्री)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; तत्पुरुषः (कुजने प्रीताः)
पूतिगंधरताःdelighting in foul smells
पूतिगंधरताः:
Karta (कर्ता/Subject)
TypeAdjective
Rootपूति + गन्ध + रत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; तत्पुरुषः (पूतिगन्धे रताः)
नराःmen
नराः:
Karta (कर्ता/Subject)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन

Unspecified in the provided excerpt (context needed from surrounding verses of Sṛṣṭikhaṇḍa 76).

Concept: Adharma manifests as addiction to हिंसा (violence), bondage, gambling, and impure sensory fixations; such habits signal a fall from human dharma into asuric temperament.

Application: Audit daily inputs: avoid violent entertainment, gambling-like compulsions, and degrading sensory habits; replace with kīrtana, clean living, and association with dhārmika people.

Primary Rasa: bibhatsa

Secondary Rasa: bhayanaka

Visual Art Cues: {"scene_description":"A crowded twilight street where men, faces tense and eyes darting, cluster around dice and loud music while shadows of chains and weapons loom behind them. The air is rendered as a visible haze of impurity—dark fumes curling from intoxicants and unclean habits—contrasted by a distant, faintly glowing temple spire that they ignore.","primary_figures":["degraded men (daitya-lakṣaṇa)","a distant Vishnu temple silhouette","symbolic figures of Dice (dyūta) and Bondage (bandha) as personified shadows"],"setting":"urban crossroads near a neglected shrine; gambling circle, musicians, and a narrow alley suggesting moral confinement","lighting_mood":"smoky twilight with a far-off divine radiance","color_palette":["soot black","tarnished bronze","muddy maroon","ashen grey","distant temple-gold"],"tanjore_prompt":"Tanjore painting style: a moral allegory panel—foreground shows men around dice and crude music, with personified shadows of bondage and violence; background a small Vishnu shrine with a faint gold-leaf aura they turn away from; heavy gold leaf on the shrine halo, rich reds/greens for garments, ornate borders, gem-studded accents emphasizing the contrast between sacred radiance and worldly grime.","pahari_prompt":"Pahari miniature style: twilight bazaar scene with delicate brushwork—men gambling and singing, subtle expressions of agitation; a distant hilltop temple with a thin line of luminous gold; cool greys and muted reds, lyrical naturalism, fine detailing of smoke and shadow, restrained moral symbolism.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments—figures with exaggerated eyes showing restlessness; dark swirling motifs for impurity and bondage; a small Vishnu icon in the corner with a bright yellow-red aura; temple-wall aesthetic, rhythmic composition, symbolic clarity.","pichwai_prompt":"Pichwai cloth painting style: an instructive contrast—lower register shows chaotic dice-play and noisy song with dark floral borders turning thorny; upper register shows a serene Vishnu/Krishna shrine framed by lotus motifs and peacocks; deep blues and gold, intricate borders, moral transformation theme."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["distant temple bells","muffled street noise","low drum pulse","brief silence after each pāda"]}

Sandhi Resolution Notes: वधबंधरतोद्वेगा → वध-बन्ध-रत-उद्वेगाः; द्यूतसंगीतसंप्रियाः → द्यूत-संगीत-संप्रियाः; पूतिगंधरता → पूति-गन्ध-रताः.

FAQs

It criticizes violent and coercive tendencies, attachment to gambling and frivolous entertainment, servility to ignoble aims, preference for wicked company, and attraction to impurity—portraying a degraded moral disposition.

The verse pairs “song/music” with gambling and other vices, suggesting attachment and indulgence as part of a dissipated lifestyle, not necessarily a blanket condemnation of music in all sacred or disciplined contexts.

It warns that habitual association with harmful actions, bad company, and impure cravings shapes one’s character; ethical discipline involves avoiding such attachments and cultivating purity and good association.