Shloka 60
तेषां संहरणोद्भूतः पावकः शतधा ज्वलन् । प्रदहन्नखिलं विश्वं वृत्तः संवर्त्तकोऽनलः
teṣāṃ saṃharaṇodbhūtaḥ pāvakaḥ śatadhā jvalan | pradahannakhilaṃ viśvaṃ vṛttaḥ saṃvarttako'nalaḥ
അവരുടെ സംഹാരത്തിൽ നിന്ന് ഒരു പാവകാഗ്നി ഉദ്ഭവിച്ചു, ശതധാ ജ്വലിച്ചു; സംവർതകാഗ്നിപോലെ അത് അഖില വിശ്വം ദഹിപ്പിച്ചു വ്യാപിച്ചു.
Unspecified narrator (contextual narration within Sṛṣṭikhaṇḍa)
Concept: All compounded worlds are subject to dissolution; the Saṃvartaka fire consumes the universe—prompting vairāgya and refuge in the imperishable Supreme.
Application: Contemplate impermanence to reduce attachment and prioritize sādhana (nāma-japa, śaraṇāgati, ethical living); treat possessions and status as temporary like worlds before pralaya.
Primary Rasa: raudra
Secondary Rasa: bhayanaka
Type: celestial_realm
Visual Art Cues: {"scene_description":"A terrifying yet majestic wall of fire erupts from dissolution, branching into a hundred tongues of flame that arc across the cosmos. Planets, mountains, and oceans are silhouetted as they are consumed, while the sky turns copper-black and ash swirls like a storm—an apocalyptic mandala of saṃhāra.","primary_figures":["Saṃvartaka Fire (personified as cosmic Agni)","Fleeing cosmic beings (tiny silhouettes)","Kāla motif (shadowy presence, optional)"],"setting":"Universe-scale panorama: burning continents, evaporating oceans, collapsing celestial spheres; no safe ground remains.","lighting_mood":"thunder","color_palette":["incandescent orange","blood red","charcoal black","copper","ash gray"],"tanjore_prompt":"Tanjore painting style: dramatic pralaya scene with thick gold leaf flames forming a circular inferno, gem-like embers, dark red-black background panels; stylized worlds as small medallions being consumed; ornate border contrasting beauty with destruction.","pahari_prompt":"Pahari miniature style: sweeping diagonal flames with delicate brushwork, smoky gradients, tiny detailed worlds and beings; restrained palette with sharp orange accents against deep charcoal; lyrical yet ominous composition.","kerala_mural_prompt":"Kerala mural style: bold black outlines of towering flame forms, patterned fire tongues, intense red/yellow pigments; cosmic elements simplified into iconic shapes; temple-wall grandeur emphasizing the power of saṃhāra.","pichwai_prompt":"Pichwai cloth painting style: a mandala of flames replacing lotus petals, intricate border patterns in gold; small circular vignettes of worlds within the fire-ring; deep blue-black ground with orange-gold detailing, devotional ornamentation applied to cosmic dissolution."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["thunder","roaring fire","conch shell blast","drum beats","sudden silence at cadence"]}
Sandhi Resolution Notes: संवर्त्तकोऽनलः = संवर्त्तकः + अनलः; प्रदहन्नखिलं = प्रदहन् + अखिलम् (नकार-सन्धि/अनुस्वार-लेखनभेद)
FAQs
Saṃvartaka refers to the cosmic conflagration associated with pralaya (universal dissolution), described in Purāṇic cosmology as the fire that consumes the worlds at the end of a cycle.
It emphasizes the cyclical nature of creation and dissolution: even the cosmos is subject to periodic withdrawal, portrayed through the image of an all-consuming, many-flamed fire.
Not directly; it is primarily cosmological. Indirectly, such pralaya imagery is used in Purāṇas to cultivate detachment from impermanent worldly forms and encourage seeking the enduring spiritual reality.