Shloka 51
The Origin of the Daṇḍaka Forest and Rāma’s Dharma-Judgment
Vulture vs. Owl
सर्वसत्वानि यानीह जंगमस्थावराणि वै । सर्वेषां पांसुवर्षेण क्षयः क्षिप्रं भविष्यति
sarvasatvāni yānīha jaṃgamasthāvarāṇi vai | sarveṣāṃ pāṃsuvarṣeṇa kṣayaḥ kṣipraṃ bhaviṣyati
ഇവിടെ ഉള്ള സകല സത്ത്വങ്ങളും—ചരവും സ്ഥാവരവും—ധൂളിവർഷം മൂലം എല്ലാവർക്കും വേഗത്തിൽ ക്ഷയം സംഭവിക്കും.
Unspecified (context required from surrounding verses to confirm the dialogue speaker)
Concept: Calamity born of adharma does not remain private; it rapidly consumes all life—mobile and immobile—underscoring interdependence and the ethical duty to prevent collective harm.
Application: Choose actions that protect the vulnerable and the environment; resist enabling harmful leadership; practice daily compassion and restraint so one person’s vice does not become many beings’ suffering.
Primary Rasa: karuna
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"A vast landscape is swallowed by a rolling wall of dust: trees bend, birds fall silent, animals flee, and even stones and shrines are half-buried. In the foreground, villagers cradle children and livestock, while the horizon fades—showing how one moral collapse becomes a shared catastrophe for all life.","primary_figures":["villagers and ascetics (as witnesses)","animals (deer, cows, birds)","trees and sacred groves (as ‘sthāvara’)","the dust-storm (as a personified force)"],"setting":"Mixed ecology—village edge, sacred grove, fields, and a small roadside shrine—gradually erased by dust.","lighting_mood":"ashen daylight","color_palette":["pale sand","smoke gray","faded green","muted saffron","charcoal black"],"tanjore_prompt":"Tanjore painting style: a wide frieze-like composition showing humans, animals, and trees under a sweeping dust veil; gold-leaf used sparingly on a half-buried shrine lamp and ornaments to contrast impermanence; ornate border framing the moral tableau; expressive gestures of protection and compassion.","pahari_prompt":"Pahari miniature style: gentle yet tragic landscape with fine details—tiny birds, leaves, and frightened animals; dust rendered as translucent layers; soft faces conveying compassion; distant hills dissolving into haze, emphasizing universal vulnerability.","kerala_mural_prompt":"Kerala mural style: bold outlines for animals and trees; dust as thick, curling bands; strong narrative clarity with stylized eyes and gestures; earthy pigments dominating, temple-wall storytelling feel.","pichwai_prompt":"Pichwai cloth painting style: an allegorical ‘world-mandala’ where lotuses, cows, peacocks, and trees are partially obscured by patterned dust; intricate floral border intact, highlighting the contrast between cosmic order and its disturbance; deep blues subdued under sandy overlays."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Desh","pace":"slow-meditative","voice_tone":"serene","sound_elements":["wind fading into silence","distant bell (single strikes)","birds abruptly quiet","soft drone (tanpura)","long pauses"]}
Sandhi Resolution Notes: sarvasatvāni = सर्व-सत्त्वानि; yānīha = यानि + इह; jaṃgamasthāvarāṇi = जङ्गम-स्थावराणि (द्वन्द्व);
FAQs
It stresses universal impermanence: all forms of life—mobile and immobile—are subject to rapid decay under overwhelming natural/cosmic forces (here symbolized as a rain of dust).
It is a standard pair meaning “moving and non-moving beings,” i.e., the entire range of living (and often broadly ‘existing’) entities in the world.
In Purāṇic cosmology it can be read both ways: as a literal catastrophic phenomenon associated with dissolution/ruin, and as a symbolic image of how swiftly worldly stability can be reduced to dust.