Shloka 21

मंदरं घर्घरं कृत्वा सर्पराजेन वेष्टितम् । कुरुध्वं मथनं देवाः सदैत्याः क्षीरसागरम्

maṃdaraṃ ghargharaṃ kṛtvā sarparājena veṣṭitam | kurudhvaṃ mathanaṃ devāḥ sadaityāḥ kṣīrasāgaram

“മന്ദരപർവ്വതത്തെ മഥനദണ്ഡമാക്കി, സർപ്പരാജൻ വാസുകിയാൽ ചുറ്റി, ദേവന്മാർ ദൈത്യരോടൊപ്പം ക്ഷീരസാഗരം മഥിക്കുവിൻ.”

मन्दरम्Mandara (mountain)
मन्दरम्:
कर्म (Object/कर्म)
TypeNoun
Rootमन्दर (प्रातिपदिक)
Formपुंलिङ्गे, द्वितीया-विभक्तिः (Accusative/द्वितीया), एकवचनम्
घर्घरम्rumbling/roaring
घर्घरम्:
विशेषण (Qualifier)
TypeAdjective
Rootघर्घर (प्रातिपदिक)
Formपुंलिङ्गे, द्वितीया-विभक्तिः, एकवचनम्; विशेषणम् (मन्दरम्)
कृत्वाhaving made
कृत्वा:
पूर्वक्रिया (Prior action)
TypeVerb
Rootकृ (धातु)
Formक्त्वान्त-अव्ययकृदन्तम् (Gerund/Absolutive)
सर्प-राजेनby the king of serpents
सर्प-राजेन:
करण (Instrument/करण)
TypeNoun
Rootसर्प (प्रातिपदिक) + राजन् (प्रातिपदिक)
Formपुंलिङ्गे, तृतीया-विभक्तिः (Instrumental/तृतीया), एकवचनम्; समासः—तत्पुरुषः (सर्पाणां राजा)
वेष्टितम्wrapped/encircled
वेष्टितम्:
विशेषण (Qualifier)
TypeAdjective
Rootवेष्टित (कृदन्त; वेष्ट् धातु)
Formनपुंसकलिङ्गे, प्रथमा/द्वितीया-विभक्तिः, एकवचनम्; कृदन्तः—क्त (Past passive participle); (मन्दरम्) इति कर्मणि विशेषणम्
कुरुध्वम्do/make (you all)
कुरुध्वम्:
विधेय (Predicate/आज्ञा)
TypeVerb
Rootकृ (धातु)
Formलोट्-लकारः (Imperative), मध्यमपुरुषः (2nd person), बहुवचनम्; परस्मैपदम्
मथनम्churning
मथनम्:
कर्म (Object/कर्म)
TypeNoun
Rootमथन (प्रातिपदिक; मथ् धातोः भाव/कर्म-नाम)
Formनपुंसकलिङ्गे, द्वितीया-विभक्तिः, एकवचनम्
देवाःO gods
देवाः:
सम्बोधन (Vocative sense in address)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा-विभक्तिः, बहुवचनम्
स-दैत्याःtogether with the Daityas
स-दैत्याः:
विशेषण (Qualifier)
TypeAdjective
Rootस (अव्यय/उपसर्गार्थे ‘सह’) + दैत्य (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा-विभक्तिः, बहुवचनम्; ‘स’ = सहार्थक-उपपद (with); विशेषणम् (देवाः)
क्षीर-सागरम्the ocean of milk
क्षीर-सागरम्:
कर्म (Object/कर्म)
TypeNoun
Rootक्षीर (प्रातिपदिक) + सागर (प्रातिपदिक)
Formपुंलिङ्गे, द्वितीया-विभक्तिः, एकवचनम्; समासः—तत्पुरुषः (क्षीरस्य सागरः)

Narratorial/epic instruction (contextual voice not explicit in the given single verse)

Concept: Great boons arise from sustained, collective endeavor under divine plan; even opposing forces can be harnessed for a higher cosmic outcome when guided by dharma.

Application: Channel conflict into structured collaboration: set a shared process, clear roles, and ethical boundaries; perseverance through ‘churning’ yields refined outcomes.

Primary Rasa: vira

Secondary Rasa: adbhuta

Type: celestial_realm

Visual Art Cues: {"scene_description":"Mount Mandara rises like a colossal spindle at the center of the Milk Ocean, its base foaming as it begins to turn. Vāsuki, the serpent-king, coils around the mountain as a living rope while devas and daityas pull from opposite sides, their bodies straining amid spray, whirlpools, and luminous milk-white waves.","primary_figures":["Devas","Daityas/Asuras","Vāsuki (serpent-king)","Mount Mandara (personified mountain)"],"setting":"Cosmic ocean-scape: Kṣīra-sāgara with swirling eddies, floating lotuses, and distant celestial horizons; the mountain as the central axis.","lighting_mood":"divine radiance with stormlike motion","color_palette":["milk white","turquoise","lapis blue","silver gray","coral red"],"tanjore_prompt":"Tanjore painting style: central Mandara mountain rendered with gold leaf highlights and embossed contours; Vāsuki as an ornate, jewel-scaled serpent-rope; devas and asuras symmetrically arranged pulling, with rich reds/greens and heavy gilded halos; frothing ocean stylized with pearl-like dots and metallic sheen.","pahari_prompt":"Pahari miniature style: dynamic diagonal composition with delicate waves and fine spray; Mandara slightly tilted, Vāsuki’s coils elegantly patterned; expressive yet refined faces of devas/asuras; cool blues and whites with subtle pinks, emphasizing lyrical motion over mass.","kerala_mural_prompt":"Kerala mural style: bold outlines and rhythmic repetition of pulling figures; stylized serpent coils with patterned scales; ocean as layered bands of blue-green; Mandara as a patterned pillar; dramatic eyes and strong gestures convey effort.","pichwai_prompt":"Pichwai cloth painting style: ornate border of lotuses and aquatic motifs; central Mandara with symmetrical pulling groups; deep indigo sea with white foam patterns; gold detailing on serpent and ornaments; peacocks and floral filigree in corners to frame the cosmic rite."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["roaring water","conch shell blasts","drum cadence","serpent hiss","wind gusts"]}

Sandhi Resolution Notes: सर्पराजेन = सर्प-राजेन; सदैत्याः = स + दैत्याः; क्षीरसागरम् = क्षीर-सागरम्

M
Mandara
S
Sarparāja (Vāsuki)
D
Devas
D
Daityas
K
Kṣīrasāgara

FAQs

It refers to the Samudra-manthana (Churning of the Ocean of Milk), where Mount Mandara is used as the churning rod and Vāsuki (the serpent-king) as the rope.

The churning is portrayed as a joint enterprise of rival powers, highlighting cooperation driven by a shared goal (obtaining divine treasures such as amṛta), even amid underlying conflict.

It suggests that great results can arise from disciplined effort and coordinated action, even among opposing parties—though the broader myth also warns that motives and conduct shape who ultimately benefits.