Adhyaya 51 — Yaksha Injunctions: Graha-Children and Female Spirits Causing Domestic and Ritual Disruptions
विद्वेषिणी तु या कन्या भृकुटीकुटिलानना ।
तस्या द्वौ तनयौ पुंसामपकारप्रकाशकौ ॥
vidveṣiṇī tu yā kanyā bhṛkuṭīkuṭilānanā /
tasyā dvau tanayau puṃsām apakāraprakāśakau
ഇപ്പോൾ ‘വിദ്വേഷിണീ’ എന്ന കന്യ, ചുളിഞ്ഞ ഭ്രൂവാൽ മുഖം വളഞ്ഞവൾ; അവൾക്ക് രണ്ടു പുത്രന്മാർ ഉണ്ട്, അവർ പുരുഷന്മാർക്കെതിരെയുള്ള ഉപദ്രവങ്ങളെ വെളിപ്പെടുത്തുന്നു.
{ "primaryRasa": "shanta", "secondaryRasa": "raudra", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Hatred is portrayed as 'productive'—it generates agents that disclose and magnify human faults and injuries, indicating that malice does not stay internal but externalizes into social damage.
Ancillary moral-etiological narration (not a vaṃśa list or manvantara chronicle).
The 'frowning, twisted face' is an icon of inner distortion: when citta is warped by dveṣa, perception itself becomes crooked and projects harm outward.