Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
विश्वावासं विश्वरूपं विश्वेशं परमेश्वरम् ।
सांख्यवेदान्तवादोक्तं बहुशाखास्थिरीकृतम् ॥
viśvāvāsaṃ viśvarūpaṃ viśveśaṃ parameśvaram /
sāṃkhyavedāntavādoktaṃ bahuśākhāsthirīkṛtam
ഹേ ദേവീ! നീയേ ലോകത്തിന്റെ അധിഷ്ഠാനം, വിശ്വരൂപിണി, സർവേശ്വരി, പരമാധിപതി—സാംഖ്യവും വേദാന്തവും എന്ന സിദ്ധാന്തങ്ങൾ പ്രഖ്യാപിച്ചതും, അനേകം ശാസ്ത്രശാഖകളിൽ സ്ഥാപിതവുമാണ്.
{ "primaryRasa": "adbhuta", "secondaryRasa": "bhakti", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The hymn asserts Devī as the ultimate ground of reality, transcending sectarian limits: even differing darśanas (Sāṅkhya/Vedānta) converge in pointing to the Supreme as the support and form of the cosmos.
Primarily within Vaṃśānucarita/Upākhyāna-style theological narration rather than strict cosmography; as Devi Mahatmyam it functions as dharma-upadeśa through stuti (devotion as a means), not as sarga/pratisarga detail.
‘Many branches’ hints that mantra, śruti, and śāstra are diverse expressions of one Śakti; the Goddess is both the meaning and the stability behind all articulated knowledge.