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Shloka 47

Kubera’s Fivefold Nīti and Protection of the Pāṇḍavas (वैश्रवणोपदेशः)

प्लक्षानुदुम्बरबटानश्वत्थान्‌ क्षीरिकांस्तथा । भल्लातकानामलकी्हरीतकबिभीतकान्‌

plakṣān udumbarabaṭān aśvatthān kṣīrikāṁs tathā | bhallātakān āmalakī harītaka bibhītakān |

വൈശമ്പായനൻ പറഞ്ഞു— അവിടെ പ്ലക്ഷം, ഉദുംബരം, വടം, അശ്വത്ഥം എന്നീ വൃക്ഷങ്ങൾ, കൂടാതെ ക്ഷീരിക (പാൽരസമുള്ള) വൃക്ഷവും ഉണ്ടായിരുന്നു; ഭല്ലാതകം, ആമലകി, ഹരീതകി, ബിഭീതകം എന്നീ വൃക്ഷങ്ങളും ഉണ്ടായിരുന്നു.

प्लक्षान्plakṣa trees
प्लक्षान्:
Karma
TypeNoun
Rootप्लक्ष
FormMasculine, Accusative, Plural
उदुम्बरudumbara (cluster fig) trees
उदुम्बर:
Karma
TypeNoun
Rootउदुम्बर
FormMasculine, Accusative, Plural
बटान्banyan trees
बटान्:
Karma
TypeNoun
Rootबट
FormMasculine, Accusative, Plural
अश्वत्थान्aśvattha (peepal) trees
अश्वत्थान्:
Karma
TypeNoun
Rootअश्वत्थ
FormMasculine, Accusative, Plural
क्षीरिकान्milk-yielding trees (latex-bearing)
क्षीरिकान्:
Karma
TypeNoun
Rootक्षीरिका
FormMasculine, Accusative, Plural
तथाand also/likewise
तथा:
TypeIndeclinable
Rootतथा
भल्लातकान्bhallātaka trees (marking-nut)
भल्लातकान्:
Karma
TypeNoun
Rootभल्लातक
FormMasculine, Accusative, Plural
आमलकीःāmalakī (Indian gooseberry) trees
आमलकीः:
Karma
TypeNoun
Rootआमलकी
FormFeminine, Accusative, Plural
हरीतकharītaka (chebulic myrobalan) trees
हरीतक:
Karma
TypeNoun
Rootहरीतक
FormMasculine, Accusative, Plural
बिभीतकान्bibhītaka (baheda) trees
बिभीतकान्:
Karma
TypeNoun
Rootबिभीतक
FormMasculine, Accusative, Plural

वैशम्पायन उवाच

V
Vaiśampāyana
P
plakṣa tree
U
udumbara tree
B
baṭa (banyan) tree
A
aśvattha tree
K
kṣīrikā tree/plant
B
bhallātaka tree
Ā
āmalakī tree/fruit
H
harītaka tree/fruit
B
bibhītaka tree/fruit

Educational Q&A

The verse reinforces how the epic situates dharma within concrete lived conditions: the exiles’ world is the forest with its resources and hardships. Attention to the natural setting underscores endurance, restraint, and adaptability—ethical steadiness amid austere surroundings.

The narrator lists prominent forest trees and medicinal plants encountered/observed, painting the environment of the Vana Parva episode and emphasizing the wilderness context in which the characters’ actions and vows unfold.