Shloka 11
नारायणीयमाख्यानम् (Nārāyaṇīyam Ākhyānam) — Nārada’s Return and Hymnic Consolidation
Devanagari script
ततः पर्वतशृद्भाभ्यां सहसैव विनि:सृत:
Transliteration
tataḥ parvataśṛṅgābhyāṃ sahasaiva viniḥsṛtaḥ
Translation
തുടർന്ന് അവൻ ആ പർവ്വതശിഖരങ്ങളുടെ ഇടയിൽ നിന്ന് ക്ഷണത്തിൽ പുറത്തേക്ക് പാഞ്ഞുവന്നു.
Word by Word
ततःthen; from there
ततः:
Adhikarana
TypeIndeclinable
Rootततः (तद्-प्रातिपदिकात् अव्यय)
Formअव्यय (तसिल्-प्रत्ययान्त)
पर्वतशृद्भाभ्याम्from/with the two mountain-peaks
पर्वतशृद्भाभ्याम्:
Apadana
TypeNoun
Rootपर्वतशृङ्ग (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया/पञ्चमी, द्विवचन
सहसाsuddenly; hastily
सहसा:
Adhikarana
TypeIndeclinable
Rootसहसा (अव्यय)
Formअव्यय
एवindeed; just
एव:
Adhikarana
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय
विनिःसृतःcame out; emerged
विनिःसृतः:
Karta
TypeVerb
Rootवि-निः-√सृ (सरणे) → निःसृत (क्त)
Formपुंलिङ्ग, प्रथमा, एकवचन (क्त-प्रत्ययान्त भूतकर्मणि/भूतकृत्; कर्तरि प्रयोगे ‘gone out’)
Speaker
भीष्म उवाच
Characters & Entities
M
mountain peaks (parvata-śṛṅga)Dharma Sankata (Moral Dilemma)
Verse Rasa (Emotional Essence)
Philosophical Teaching
Political Layer
Geographic Context
Meter (Chandas)
Sandhi Notes
Educational Q&A
The verse uses a vivid image of sudden emergence from mountain-peaks to suggest the irresistible momentum of certain outcomes—when conditions ripen, results manifest swiftly and powerfully, reminding one to act with foresight and restraint.
Bhīṣma describes someone (implied by the masculine singular viniḥsṛtaḥ) suddenly coming forth from between mountain-peaks, emphasizing abruptness and force in the unfolding scene.