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Shloka 117

Śiva-stavarāja: Upamanyu’s Preface and Initiation of the Śarva-Nāma Enumeration

Anuśāsana-parva 17

गान्धारश्न सुवासश्न॒ तपःसक्तो रतिर्नर: । महागीतो महानृत्यो हाप्सरोगणसेवित:

gāndhāraś ca suvāsaś ca tapaḥ-sakto ratir naraḥ | mahāgīto mahānṛtyo 'psarogaṇa-sevitaḥ ||

വായു പറഞ്ഞു—“അവൻ ഗാന്ധാരനും സുവാസനും; തപസ്സിൽ ആസക്തൻ, രതിസ്വരൂപൻ, വിരാട് പുരുഷൻ. വേദ-ശാസ്ത്രങ്ങളുടെ മഹാഗീതങ്ങളിൽ മഹിമ പാടപ്പെടുന്നവൻ മഹാഗീതൻ; പ്രചണ്ഡ നൃത്തം ചെയ്യുന്നവൻ മഹാനൃത്യൻ; അപ്സരാഗണങ്ങൾ സേവിക്കുന്നവൻ.”

गान्धारःGāndhāra (a musical mode/one named Gāndhāra)
गान्धारः:
Karta
TypeNoun
Rootगान्धार (प्रातिपदिक)
FormMasculine, Nominative, Singular
सुवासःSuvāsa (one dwelling in a fair abode; name/epithet)
सुवासः:
Karta
TypeNoun
Rootसुवास (प्रातिपदिक)
FormMasculine, Nominative, Singular
तपःसक्तःattached to austerity; devoted to penance
तपःसक्तः:
Karta
TypeAdjective
Rootतपस् + सक्त (प्रातिपदिक)
FormMasculine, Nominative, Singular
रतिःdelight; love; pleasure
रतिः:
Karta
TypeNoun
Rootरति (प्रातिपदिक)
FormFeminine, Nominative, Singular
नरःman; person (here: the great Person)
नरः:
Karta
TypeNoun
Rootनर (प्रातिपदिक)
FormMasculine, Nominative, Singular
महागीतःgreatly sung/praised; whose glory is sung
महागीतः:
Karta
TypeAdjective
Rootमहा + गीत (प्रातिपदिक)
FormMasculine, Nominative, Singular
महानृत्यःgreat dancer; performing great dance
महानृत्यः:
Karta
TypeAdjective
Rootमहा + नृत्य (प्रातिपदिक)
FormMasculine, Nominative, Singular
अप्सरोगणसेवितःserved/attended by a host of apsarases
अप्सरोगणसेवितः:
Karta
TypeAdjective
Rootअप्सरस् + गण + सेवित (प्रातिपदिक)
FormMasculine, Nominative, Singular

वायुदेव उवाच

V
Vāyu (Vāyudeva)
G
Gāndhāra
S
Suvāsa
A
Apsarases (apsarogaṇa)
K
Kailāsa (in the traditional gloss)

Educational Q&A

The verse links spiritual discipline (tapas) with refined, sacred expression (song and dance), portraying an exalted being whose greatness is affirmed by śāstra and whose presence harmonizes ascetic power with aesthetic and celestial splendor.

Vāyu is describing a revered figure through a chain of epithets—associating him with musical identity (Gāndhāra), a beautiful abode (Suvāsa), devotion to austerity, celebrated renown, powerful dance, and attendance by Apsarases—thereby elevating the subject’s stature and qualities.