Devatā-Pratiṣṭhā: Maṇḍapa Construction, Dikpāla Worship, Kalaśa-Abhiṣeka, Nyāsa and Homa Procedures
याम्यां वै कृष्णरूपा तु नैरृत्या श्यामला (धूसरा) भवेत् / वारुण्यां पाण्डुरा ज्ञेया वायव्यां पीतवर्णिका
yāmyāṃ vai kṛṣṇarūpā tu nairṛtyā śyāmalā (dhūsarā) bhavet / vāruṇyāṃ pāṇḍurā jñeyā vāyavyāṃ pītavarṇikā
യാമ്യ (തെക്ക്) ദിശയിൽ അവൾ കൃഷ്ണരൂപിണി; നൈഋത്യ (തെക്ക്-പടിഞ്ഞാറ്) ദിശയിൽ ശ്യാമളയോ ധൂസരയോ ആകുന്നു. വാർുണ (പടിഞ്ഞാറ്) ദിശയിൽ പാണ്ഡുരയായി അറിയണം; വായവ്യ (വടക്ക്-പടിഞ്ഞാറ്) ദിശയിൽ പീതവർണിണി.
Lord Vishnu (in dialogue with Garuda/Vinatā-putra)
Concept: Ritual space is stabilized by mapping qualities (guṇa/rūpa/varṇa) onto directions; each quarter has a distinct energetic signature.
Vedantic Theme: Order (ṛta) expressed as differentiated nāma-rūpa within one sacred field; discipline of perception in upāsanā.
Application: In visualization practices, keep consistent color associations to strengthen memory, focus, and a sense of protected boundary.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: ritual-mandala
Related Themes: Garuda Purana 1.48.14 (cloud/smoke forms); Garuda Purana 1.48.16 (additional named powers and colors)
This verse assigns specific colors to specific quarters (south, south‑west, west, north‑west), supporting ritual visualization and cosmological mapping used in Purāṇic practice.
By marking the southern quarter as Yama’s and describing its associated color-quality, the text reinforces the symbolic geography often invoked when discussing Yama’s domain and post-death orientation.
In japa, homa, or pūjā visualizations, practitioners can align mental imagery with traditional directional attributes (dik/varṇa) to maintain consistency with scriptural cosmology.