चतुरश्राः समुद्भूता वैराजादिति गम्यताम् / वलभी गृहराजश्च शा लागृहं च मन्दिरम्
caturaśrāḥ samudbhūtā vairājāditi gamyatām / valabhī gṛharājaśca śā lāgṛhaṃ ca mandiram
ചതുരശ്രമായ തരങ്ങൾ വൈരാജത്തിൽ നിന്നുതന്നെ ഉദ്ഭവിച്ചു—വലഭീ, ഗൃഹരാജ, ശാലാഗൃഹം, മന്ദിരം; എന്ന് അറിയുക।
Lord Vishnu (speaking to Garuda/Vainateya)
Concept: Microcosm–macrocosm correspondence: architectural forms arise from cosmic archetypes (Virāja).
Vedantic Theme: Virāṭ as the manifest totality; human order mirrors cosmic order (bandhu).
Application: Approach building/design as ethical-sacred craft: align spaces with harmony, proportion, and purpose; treat home/temple as a site for sattvic living.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: built-space typology (vāstu)
Related Themes: Garuda Purana 1.47 (vāstu/typology sequence: origins and categories)
Virāja is presented as the cosmic source from which these four principal dwelling-forms are said to originate, giving sacred legitimacy to traditional architectural classifications.
It shows that Garuda Purana also preserves dharma-oriented knowledge such as traditional classifications of residences and sacred architecture, not only death rites and the soul’s journey.
Use the verse as a scriptural reference for understanding classical Sanskrit terms for house-forms when studying Vāstu/heritage architecture, ensuring terminology is preserved accurately in documentation and design notes.