Śivapūjā-vidhi: Purifications, Sūrya–Graha Mantras, Nyāsa, and Bhūtaśuddhi leading to Śivoham-bhāva
अधर्ंमाद्यं च वह्न्यादौ मध्ये पद्मस्य कर्णिके / वामाज्येष्ठा च पूर्वादौ रौद्री काली च पूर्षदः
adharṃmādyaṃ ca vahnyādau madhye padmasya karṇike / vāmājyeṣṭhā ca pūrvādau raudrī kālī ca pūrṣadaḥ
അധർമ്മാദികളെയും അഗ്ന്യാദികളെയും അവരുടെ ദിക്കുകളിൽ ക്രമമായി സ്ഥാപിക്കണം—പദ്മത്തിന്റെ മദ്ധ്യത്തിലുള്ള കർണികയിൽ. കിഴക്കിൽ നിന്ന് വാമാ, ജ്യേഷ്ഠാ; അതുപോലെ റൗദ്രീ, കാളി, കൂടാതെ പൂരുഷദനെ അവരുടെ സ്ഥാനങ്ങളിൽ സ്ഥാപിക്കണം.
Lord Vishnu (in dialogue with Garuda/Vinata-putra)
Concept: Forces of order and disorder are not denied but ritually located and subordinated; the mandala integrates opposites to prevent psychic and ritual imbalance.
Vedantic Theme: Transcending dvandva by witnessing and containing; prakṛti’s guṇas and their fierce forms are placed under conscious regulation.
Application: In contemplative practice, acknowledge negative impulses (adharma) without suppression; ‘place’ them at the periphery under discipline, keeping the center (karnikā) clear and steady.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: inner mandala/lotus diagram
Related Themes: Garuda Purana 1.23.16–20 (āvaraṇa-devatā placement and mantra sequence)
This verse indicates a structured, directional placement of forces/deities within a lotus diagram, implying ritual order (nyāsa/maṇḍala) used to protect and regulate the rite.
While not describing the soul’s travel directly, it supports the ritual technology often associated with funerary and protective procedures—arranging powers in a lotus to safeguard transitions and remove obstacles.
Maintain discipline and clarity in any sacred practice: follow an ordered method, keep ethical conduct (avoid adharma), and treat rituals as structured acts of remembrance and protection rather than improvisation.