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Shloka 5

Trivakrā’s Transformation and the Breaking of Kaṁsa’s Bow

Mathurā-līlā Prelude

ततस्तावङ्गरागेण स्ववर्णेतरशोभिना । सम्प्राप्तपरभागेन शुशुभातेऽनुरञ्जितौ ॥ ५ ॥

tatas tāv aṅga-rāgeṇa sva-varṇetara-śobhinā samprāpta-para-bhāgena śuśubhāte ’nurañjitau

പിന്നീട് ആ ഉത്തമ അങ്കരാഗം അവരുടെ വർണ്ണത്തോട് വിരുദ്ധമായ തിളക്കത്തോടെ കൂടുതൽ ശോഭ നൽകി; അങ്ങനെ ആ രണ്ടുപ്രഭുക്കൾ അത്യന്തം മനോഹരമായി ദീപ്തരായി.

tataḥthen
tataḥ:
Kāla (काल)
TypeIndeclinable
Roottatas (अव्यय)
FormAvyaya (sequence adverb)
tauthose two (Kṛṣṇa and Balarāma)
tau:
Karta (कर्ता)
TypeNoun
Roottad (प्रातिपदिक)
FormPuṃliṅga (m.), Prathamā (Nom. 1), Dvivacana (du.)
aṅga-rāgeṇawith body-ointment
aṅga-rāgeṇa:
Karaṇa (करण)
TypeNoun
Rootaṅga + rāga (प्रातिपदिक)
FormTatpuruṣa: aṅgasya rāgaḥ; Puṃliṅga (m.), Tṛtīyā (Instr. 3), Ekavacana (sg.)
sva-varṇa-itara-śobhināshining with a hue different from their natural color
sva-varṇa-itara-śobhinā:
Karaṇa (करण)
TypeAdjective
Rootsva + varṇa + itara + śobhin (प्रातिपदिक)
FormTatpuruṣa (complex): sva-varṇāt itaraḥ (different from their own complexion) + śobhin (shining); Puṃliṅga (m.), Tṛtīyā (Instr. 3), Ekavacana (sg.); agrees with aṅga-rāgeṇa
samprāpta-para-bhāgenahaving attained supreme excellence
samprāpta-para-bhāgena:
Karaṇa (करण)
TypeAdjective
Rootsamprāpta (प्र-आप् धातु + क्त, कृदन्त) + para + bhāga (प्रातिपदिक)
FormTatpuruṣa: paraḥ bhāgaḥ (supreme share/excellence) samprāptaḥ; Instrumental singular; Puṃliṅga (m.), Tṛtīyā (Instr. 3), Ekavacana (sg.); qualifies the ointment/its effect
śuśubhātethey shone
śuśubhāte:
Kriyā (क्रिया)
TypeVerb
Rootśubh (शुभ् धातु)
FormLiṭ-lakāra (perfect), Prathama-puruṣa (3rd), Dvivacana (du.); ātmanepada
anurañjitaudelighted; beautifully colored
anurañjitau:
Karta (कर्ता)
TypeAdjective
Rootanurañjita (रञ्ज् धातु + क्त, कृदन्त)
FormKta-participle; Puṃliṅga (m.), Prathamā (Nom. 1), Dvivacana (du.); agrees with tau

The ācāryas suggest that Kṛṣṇa spread yellow ointment upon His body, and Balarāma blue ointment upon His.

K
Krishna
B
Balarama

FAQs

This verse describes Kṛṣṇa and Balarāma shining brilliantly after being anointed with fragrant unguents, emphasizing Their transcendental, captivating beauty that delights the heart and draws devotion.

The verse refers to Kṛṣṇa and Balarāma, who are being adorned as They proceed in Mathurā during the events leading up to Kaṁsa’s arena.

By practicing devotional remembrance—hearing and contemplating Kṛṣṇa’s līlā and beauty—one can purify the mind and cultivate loving attraction (bhakti) toward the Divine.