Marriage of Samvarana with Tapati
तत्र क्रीडन्ति सततमप्सरो ऽमरकन्यकाः तासां मध्ये ददर्शाथ कन्यां संवरणो ऽधिकाम्
tatra krīḍanti satatamapsaro 'marakanyakāḥ tāsāṃ madhye dadarśātha kanyāṃ saṃvaraṇo 'dhikām
ທີ່ນັ້ນ ອັບສະຣາ—ທິດາເທວະ—ຫຼິ້ນສະໜຸກຢູ່ເປັນນິດ. ໃນທ່າມກາງພວກນາງ ສຳວະຣະນະໄດ້ເຫັນສາວນ້ອຍຜູ້ໜຶ່ງ ຜູ້ຍອດເຢັ້ນເກີນຜູ້ອື່ນ।
{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The episode illustrates how attention (dṛṣṭi) becomes the doorway to attachment; vigilance over perception is a classical dharmic counsel, especially for rulers whose choices affect many.
It is narrative material in the Vamśānucarita stream—character-driven episode within royal lineage storytelling.
Apsarases often represent refined pleasures and the subtle temptations of prosperity (śrī). The ‘most excellent maiden’ concentrates desire into a single object, setting up the moral-psychological drama of kāma overpowering discernment.