आवरणपूजावर्णनम् (Āvaraṇa-pūjā-varṇanam) — Description of Enclosure/Layered Worship
रान्तंपान्तं तथा ज्ञान्तं लान्तं लान्तमपूर्वकम् । षान्तं सान्तञ्च वेदाद्यं श्रीबीजञ्च दशक्रमात्
rāntaṃpāntaṃ tathā jñāntaṃ lāntaṃ lāntamapūrvakam | ṣāntaṃ sāntañca vedādyaṃ śrībījañca daśakramāt
ໃນລຳດັບສິບ ພຶງຮັບເອົາພະຍາງທີ່ລົງທ້າຍດ້ວຍ rā, ດ້ວຍ pā, ແລະດ້ວຍ jñā; ຕໍ່ມາພະຍາງທີ່ລົງທ້າຍດ້ວຍ lā, ແລະອີກຄັ້ງພະຍາງທີ່ລົງທ້າຍດ້ວຍ lā ໃນວິທີພິເສດອັນບໍ່ເຄີຍມີ; ພ້ອມທັງພະຍາງທີ່ລົງທ້າຍດ້ວຍ ṣā ແລະ sā; ຮວມທັງພະຍາງດັ້ງເດີມແຫ່ງເວດ «ໂອມ» ແລະບີຊະມົງຄຸນ «ສຣີ»—ດັ່ງນີ້ເປັນລຳດັບສິບປະການ।
Suta Goswami
Tattva Level: pasha
Shiva Form: Īśāna
Mantra: (Implied bīja-sequence) rā… pā… jñā… lā… lā (apūrva)… ṣā… sā… oṃ… śrī… (daśa-krama)
Shakti Form: Lalitā
Role: teaching
It outlines a structured, tenfold arrangement of sacred phonemes (including Oṃ and Śrī-bīja), indicating that disciplined mantra-sequence and sound-contemplation are valid supports for turning the bound soul (paśu) toward the Lord (Pati) and loosening bondage (pāśa).
Such bīja- and praṇava-based sequences are typically applied as ancillary mantra-anga in Saguna Shiva worship—used for nyāsa, japa, and ritual sanctification—so the devotee’s mind becomes fit to perceive Shiva’s presence in the Liṅga while progressing toward deeper, more inward realization.
A practical takeaway is mantra-japa in a prescribed order (daśa-krama), beginning with praṇava (Oṃ) and including Śrī-bīja, performed with steadiness and purity—often alongside Shaiva observances like bhasma (tripuṇḍra) and focused meditation on Shiva.