Shloka 6
Account of Various Sacred Tīrthas
Pilgrimage Merits and Prayāga Supremacy
ततो वैतरणीं गत्वा नदीं पापप्रमोचनीम् । विरजं तीर्थमासाद्य विराजति यथा शशी
tato vaitaraṇīṃ gatvā nadīṃ pāpapramocanīm | virajaṃ tīrthamāsādya virājati yathā śaśī
ຕໍ່ຈາກນັ້ນ ໄປຫາແມ່ນ້ຳໄວຕະຣະນີ ອັນເປັນສາຍນ້ຳປົດບາບ ແລ້ວເຖິງທີຣະຖະຊື່ວິຣະຊະ ກໍສ່ອງສະຫວ່າງດັ່ງດວງຈັນ।
Unspecified (narratorial verse within the Svarga-khaṇḍa; exact dialogue frame not provided in the input).
Concept: Sin is not treated as ineradicable fate; through tīrtha approach and right conduct, one becomes ‘moonlike’—cool, bright, and socially/spiritually radiant.
Application: Use ‘purification’ as a lived practice: confession, restitution, charity, and a fresh start; pair sacred bathing (or symbolic cleansing) with a vow to avoid repeat harms.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: river
Visual Art Cues: {"scene_description":"A pilgrim arrives at the dark, swift Vaitaraṇī, then steps into the calmer Virajā ford where the water turns glassy and reflective. As he emerges, his face is rendered with a gentle lunar glow, suggesting inner cleansing; nearby, a small shrine and prayer flags tremble in the river breeze.","primary_figures":["a pilgrim (snātaka)","local priests (optional)","personified river goddess (subtle, translucent)"],"setting":"Riverbank with stone ghats at Virajā-tīrtha; flowing Vaitaraṇī transitioning to a serene ford, small shrine and banyan trees","lighting_mood":"divine radiance with cool moonlight highlights","color_palette":["moon-silver","deep indigo","river teal","stone gray","white jasmine"],"tanjore_prompt":"Tanjore painting style: Virajā-tīrtha ghat on Vaitaraṇī, pilgrim emerging from water with a gold-leaf ‘moon aura’; ornate shrine with lamps, rich reds/greens in textiles, stylized waves, gold embellishment on water ripples and halo, traditional icon framing.","pahari_prompt":"Pahari miniature style: quiet river ghat under a pale moon, delicate reflections, pilgrim with wet hair and folded hands; cool palette, fine linework, banyan silhouettes, lyrical serenity emphasizing ‘moonlike’ radiance.","kerala_mural_prompt":"Kerala mural style: bold outlined river goddess motif blending into the Vaitaraṇī, pilgrim at Virajā ford with a circular moon-disc behind; strong natural pigments, temple-wall composition, decorative borders and stylized water curls.","pichwai_prompt":"Pichwai cloth painting style: patterned river surface with lotus rosettes, central figure of the purified pilgrim with a moon medallion motif; ornate floral borders, deep blues and silver-gold highlights, devotional symmetry suggesting tīrtha as grace."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["flowing water","soft temple bells","night breeze","distant chanting","quiet pauses"]}
Sandhi Resolution Notes: तीर्थमासाद्य = तीर्थम् + आसाद्य.
FAQs
It maps a pilgrimage sequence: first the Vaitaraṇī River (praised as sin-removing), then the Viraja Tīrtha, presenting sacred sites as spiritually transformative waypoints rather than merely physical locations.
By portraying radiance and purification as fruits of approaching holy places with reverence, it supports a devotional ethic where faith-filled contact with tīrthas becomes a means to inner cleansing and divine favor.
Seek moral purification and a renewed life: the verse frames spiritual progress as moving away from pāpa (harmful action) toward viraja (stainlessness), culminating in a luminous, ethically elevated state symbolized by the moon.